Corsica Schemata 2.0 - IDENT

A collection of stickers from visitors to the venue, stuck on our office window.

Compiled by Good Night Out, the campaign for safer nightlife, in partnership with Galop, the UK’s LGBT+ anti-violence charity, this poster is part of an all-gender access toolkit for any space that provides toilets for visitors.

It has been written with nightlife premises such as venues, pubs, bars, and clubs in mind, but can help leisure, arts and cultural spaces too. If you want to make sure your place of business offers bathroom facilities that all customers feel safe and comfortable using, regardless of their gender identity or gender expression, read on.

Good Night Out Campaign is on a mission for safer nightlife. We believe nights out should be about fun and freedom, not fear.

We help nightlife spaces and organisations to better understand, respond to, and prevent gender-based violence, through specialist training, policy support and an accreditation programme. Let’s change the party to change the world.

Work by SoBir Kollektiv (Sean Thompson DeWolfe, Carla Busuttil, Gary Charles)
HD Video 3:03 mins
2021

Sean Thompson DeWolfe 
https://www.instagram.com/thomosart/


Carla Busuttil
https://www.carlabusuttil.com/


Gary Charles
https://www.garyjcgaryjc.com/

'Hangul Stroop 909' (2020) is a piece about disfluency based on the well-known Stroop effect, a phenomenon first described in the 1930s by psychologist John Ridley Stroop. The Stroop effect is the delay in reaction time between automatic and controlled processing of information, in which the names of words interfere with the ability to name the colour of ink used to print the words. Here, the names of the colours are printed in Korean, so it may only trigger that effect on Korean speaking people. For the rest, it's mostly fun colours and bloated kick drums. The music is part of DIAG909 (see https://e-v-o-l.bandcamp.com/album/diag909/).

As individuals we identify ourselves in many ways, some we choose and some which will be forced upon us. An individual can be at once, father, brother, son and husband, mother, sister, daughter and wife, we are our gender, we are our sexuality, we are our religion, our loves and our hates.

INT 563 shows both the positive and negative nature of identity, played out side by side. As individuals we can rise above certain identities which can hold us down, while embracing the identities we cherish most in ourselves.



https://www.klinesinclair.com/

t: @KlineSinclair

i: @klinesinclair

Although Silva specialises in digital art, her work is inspired by the traditional processes of sculpture and primarily revolves around an embodiment of a creature she calls Venus. Venus is an ethereal being; an unknown femme entity, unconventional and powerful, forming a three-dimensional dissident often taking on different forms. Venus creates a narrative that unfolds with its circumstances. By registering “the singular”, Venus represents a collective identity which is returned to reality by the new media, further acquiring new meanings as it passes through time alongside society.

Although Silva specialises in digital art, her work is inspired by the traditional processes of sculpture and primarily revolves around an embodiment of a creature she calls Venus. Venus is an ethereal being; an unknown femme entity, unconventional and powerful, forming a three-dimensional dissident often taking on different forms. Venus creates a narrative that unfolds with its circumstances. By registering “the singular”, Venus represents a collective identity which is returned to reality by the new media, further acquiring new meanings as it passes through time alongside society.

Although Silva specialises in digital art, her work is inspired by the traditional processes of sculpture and primarily revolves around an embodiment of a creature she calls Venus. Venus is an ethereal being; an unknown femme entity, unconventional and powerful, forming a three-dimensional dissident often taking on different forms. Venus creates a narrative that unfolds with its circumstances. By registering “the singular”, Venus represents a collective identity which is returned to reality by the new media, further acquiring new meanings as it passes through time alongside society.

This area is specifically for those artists wishing to play with the theme of ownership and exhibit works without revealing their true identity...

Credits

Hermaphrodite - Lewis G. Burton
Art Direction - Fecal Matter
Director - Karl Harris
Editor - Kassandra Powell
Make-up - Carl Illingworth and Niall Candy
Performers - Alejandra Munoz Pons, Izzy MacCallum and Ren Mars
PAs - Joseph Icaro Lima Santos and Madeleine Wood


God of Pleasure
Goddess of Pain
Love Perverter
Servant of Fame
Queer Messiah
Divine Almighty
Celestial Being
Hermaphrodite

God of Laughter
Goddess of Tears
Shame Destroyer
Reliever of Fear
Queer Messiah
Divine Almighty
Celestial Being
Hermaphrodite


i: @lewisgburton
f: @lewisgburton
t: @lewisgburton
s: lewis-g-burton

http://www.lewisgburton.com

Investigative journalist PETER KOPINSKI follows the CLOWN CATCHER (Sobriety Twist) on a daily capturing routine for the United State of England. Miscreants (anarchistwood) are delivered to Clowns Anonymous for help, but if that fails, sent to the Mosley Modification Unit for Wayward Clowns. Here, pioneering surgeon DOCTOR RAEF (Jenny Runacre) practices experimental conversion therapy.

Wholesome family life goes on for the Clown Catcher, WIFE (Sexton Ming) and family with home made meals in their non-clown life without any weird fantasies or dreams.

Clowns however are not enjoying the conversion therapy and a resistance army is forming to combat the State and the FEAR it enforces. This is discussed on cult show - Goodnight England by superstar host Jeff Freeman (Jemma Freeman.)


Fear Is the Mind Killer
principal cast
Jenny Runacre as Dr Raef
Sobriety Twist as The Clown Catcher
Peter Kopinski as Peter Kopinski
Sexton Ming as The Clown Catcher's Wife
Jemma Freeman as Jeff Freeman
Amazing Mouse as a Mental Nurse
Jan Daniels as Bad Mother Clown and Dr Raef's Hench Woman
Andrea Puke as Mental Nurse
Nik Llawr as Mental Nurse
Stella Meltdown as CA Group Leader
Gwen Ever - ketchup klown
anarchistwood as assorted Clowns
crew
Directors - funkcutter & Lindsey S
Screenwriter - funkcutter
Producers - Lindsey S & funkcutter
Editor - Lindsey S
Production Designer - funkcutter, Lindsey S
Sound Designer - Lindsey S, Candiflip Blackwood
Original music - anarchistwood, Maelific Jester
Vehicle - Peter Kopinski
DVCam Provision - Steve Teers
more crew
1st AD - Pink Charlotte
Camera & Drones - Lindsey S, Nigel Camp
Best Boy - Tanzi Rosenberg
Props - Jan Daniels, funkcutter
Stills Photography - Hill Bill
Stunts - Ella Guru
Colour - Priory Post
Costume - funkcutter, Jan Daniels
Bean Firing - Dave Lager
and many more!
Music by anarchistwood & Maelific Jester

Video shot by Kodek, Black Triangle Films, punkvert,
with music by anarchistwood recorded at Ktown Studios.

VJ Showreel -
includes performances from:
The Amazing Mouse
Sobriety Twist
Gypsy Love
funkcutter
Sexton Ming
anarchistwood
Candiflp Blackwood
Not Right
Oli Spleen
Video magic from Candiflp Blackwood, Black Triangle Films, punkvert VJ, Nina Paley
music by Maelific Jester

- Site-specific audio installation for Corsica Studios relaunch, using impulse responses and recordings from inside and out, June 5th 2021

The sound of a club preparing to reopen after over a year of hibernation

“Now and then, someone is able to look at an empty space, conclude it would be a great place to start a revolution, and bravely go forward.” - Henry Rollins

(Featuring , from a very long way away: Gesloten Cirkel, DJ Trace, Kode 9, Photek, Source Direct and Yuri Suzuki)

Two Lines by OK is a slow reflection on abortion. 

Individuation is an animated short by digital artist Chris Speed Visuals (CSV) which serves as a spiritual sequel to his earlier work entitled “SHDW.” 

By creating dystopian virtual worlds using game engines, the artist is attempting to reflect and individuate with his practice, in a Jungian sense.

This work predominantly addresses themes of surveillance, as it tells the story of a simulation controlled by an unseen artificial intelligence akin to AM in the novel I Have No Mouth, and I Must Scream. 

We are witness to a Zero-Sum Game, as the AI unleashes a plethora of facial detection technologies while the creature fights back with its own scrambling devices to obscure its identity.

Weightless jungle beats soundtrack this immersive experience, as the camera accelerates through the scene leaving behind motion artefacts.

This work aims to build a narrative between Rivington Terrace Gardens in Lancashire and Port Sunlight in Merseyside, both once owned by the liberal industrialist William Hesketh Lever (1851-1925), through a combination of filmed site-specific and home-studio performances that explore histories in the production, distribution, and consumption of soap.
 
We draw from the analyses of Stuart Hall, Roland Barthes, Mary Douglas, and Friedrich Engels
to situate William Lever’s idiosyncratic industrial practice within ideologies of management and
cleanliness. In playing on the Pre-Raphaelite-inspired marketing devices used by the Lever
Brothers corporation (now Unilever), the seductive material qualities of soap, and the gesture of
washing, we seek to satirically articulate the co-partnership model of capitalism that sold not just
soap, but the image of a better society.

The two selected sites serve as interlinked situational points within art and industry in the early
20th-century, which we intend to reappraise through a narrative that leverages historical
documentary against the erotic poetics of soap. The work will be filmed on iPhone and brought
together with an original soundtrack produced in collaboration with Timothy Cape (Bastard
Assignments).

As in full film

Full description in the Funkcutter room...

Bomb in a Luggage Rack
a pop video film from anarchistwood
anarchistwood riding out in a kinky kunt klan challenge against "The Man" and all HE stands for.
shot on location at Kastle Kopinski, Surrey November 2017
anarchistwood are:
Scarlet "half-Goy Pussy Magnet" Carsen - drums & barking
David The Wasp Kahl - guitar
Candi'sflipped Blackwood - guitar / bass
funkcutter - vox
starring
Nik Llawr as The Man
Mouse as The Secretary
Luka Blackwood as Lollipop Boy
Peter Kopinski as Lord of the Land/Judge
kinky kunt klan acolytes anarchistwood, Tanzi Rosenberg, Pink Charlotte, Jan Daniels, Daniel
Corrick, Peter Kopinski, Tivo
vestal virgins Tanzi Rosenberg, Pink Charlotte, funkcutter
kidnappers anarchistwood, Tanzi Rosenberg, Peter Kopinski
Camera Devilboy Lindsey S D
rone Devilboy
Edit Black Triangle Films
Bomb in a Luggage Rack was written by Blackwood & Blackwood, recorded and mixed by Andy
Brook at The Brook, Wallington and is available on vinyl as a split single from Grow Your Own
Records anthraxuk.bandcamp.com and on "The Nasty Album" EXGR8LP7 from Ex Gratia
Recordings https://punkvert.tv/music-merch

Body
shot partly at the BFI during August 2016 with so many of you wonderful people as extras at a 40
Years of Punk Installation by Wimbledon Art College student Kate Macrae, who also supplied the
stop motion animation.
Live sequences shot by Zoe Rixon, Lynda Boudjeltia, John Clay and Fabiano Modolo at a variety of
places (Alice's Wicked Tea Party II Dorset, Dingwalls Camden Lock, Vinyl Deptford, The
Wheatsheaf Oxford, The Railway, Southend, Dublin Castle, Camden, SouthWestFest Pimlico,
Resistance Gallery, Bethnal Green) but mainly The Alleycat in Denmark Street - opposite the site of 
the infamous, but now closed, 12 Bar at Barnet Mark's London Sewage Company monthly night,
August 2016.
Guest nudity from Gemma Kahl and the Amazing Mouse.
Titler by CurtNuttenshaver
Final edit by Zoe Rixon / Tanzi Jezebel Rosenberg; shot/directed by George Pritchard / Lynda
Boudjeltia with set and production provided by Kate Macrae and Elliott Mac Gabhann.
anarchistwood's BODY was written by anarchistwood and recorded and mixed at The Brook,
Wallington by Andy Brook.
Dedicated to Banaz Mahmod who you can see at the beginning and hear her voice at the start. Do
what thou Wilt. an it harm None.

Whorus is part of a series of pieces depicting the common trait of referring to females as animals. This piece, represents bird and also pokes fun at the conflation of this with the egyptian god Horus, who has the head of an eagle...

A.n0nE is part of the anonymous art collective Anti-Gang

UDOU is a piece that questions the illusion of freedom. The every-person who dangles in the air, can only see in one direction - forwards. But we, the viewers have a wider view and can see the claws holding up the every-person. Freedom to be who we are and the control we believe we have over our lives is nothing more than a fairytale. 

www.levesque.co.uk
www.thePULP.co.uk

- Site-specific audio installation for Corsica Studios relaunch, using impulse responses and recordings from inside and out, June 5th 2021

The sound of a club preparing to reopen after over a year of hibernation

“Now and then, someone is able to look at an empty space, conclude it would be a great place to start a revolution, and bravely go forward.” - Henry Rollins

(Featuring , from a very long way away: Gesloten Cirkel, DJ Trace, Kode 9, Photek, Source Direct and Yuri Suzuki)

This work is part of a series of pieces drawing attention to the frequent calling of females by animal names. This one one represent Dog/Bitch and as such is called Mutt-er und Kind" (mother and child in german) She has an unfortunate demeanor and a sad child.... 

A.n0nE is part of the anonymous art collective Anti-Gang

Although Silva specialises in digital art, her work is inspired by the traditional processes of sculpture and primarily revolves around an embodiment of a creature she calls Venus. Venus is an ethereal being; an unknown femme entity, unconventional and powerful, forming a three-dimensional dissident often taking on different forms. Venus creates a narrative that unfolds with its circumstances. By registering “the singular”, Venus represents a collective identity which is returned to reality by the new media, further acquiring new meanings as it passes through time alongside society.

Collective piece by anonymous collective Anti-Gang. 

  Music by Jennifer Walton accompanied by visuals editing GAN created facial images

Visuals made by imagemover for Sonic Commune created using live-code lab, collage, stencil printing and video.
Sounds by Agent of the Culture Industry.

  Music by Jennifer Walton accompanied by visuals editing GAN created facial images

Full description on landing!

Carol copies, edits, remixes, reworks and re-edits her work ad nauseam using a variety of methods to reiterate her own archive.

Still Stillness was part of a larger installation commissioned for Copy/Paste group show at Piksel Festival in Norway and later shown at Ars Electronica 2020 in Austria curated by Antonio Roberts.