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A world by Christian Jago, presenting new photographic works and soundscapes across six chapters. Best experienced on desktop or tablet, with sound on.
âEphemeral Bloomâ takes us on a journey of change through an imagined valley called AthrĂș. We witness how this space evolves over time, how it is affected by the seasons, and how natural processes contribute to its circle of life. The project is a reflection on nature and the lessons it has taught me about my mental health.
I started this work wanting to heal my internal struggles, looking for answers in the world around me. Nature is an inspiring and complex force, linking all life forms in a delicate equilibrium. It is defined by change, constantly adapting as the earth evolves, and has reminded me of my own growth and perseverance. Just as nature resiliently faces challenges, so too can I navigate the landscape of my mind.
By channelling my emotions and experiences into the idyllic image of a valley, my work reveals a nexus of life and colour, representing the sanctuary I find within nature. But as spaces shift and converge, a fragile and fleeting world is suggested, reflecting the temporality of our interconnected planet.
Nature is remarkable for the way it supports and sustains itself, and numerous studies show that connecting with it has profound benefits for our mental health. Recognising my place in its vast web has helped me to feel less alone with my struggles, reassuring me that I am part of something bigger. Consequently, my work has evolved into a personal space of refuge.
The story of AthrĂș is divided into seasons, both of nature and the mind. Seasons mirror a duality of constancy and mutability - as nature seasons, so does the mind, each evolution an echo of growth. The narrative of the seasons teach us to cherish moments of bliss, and remind us of the transient nature of struggles.
Learning about nature has helped me to understand the threat we pose to its rhythms and cycles. Our speciesâ inclination to control and contain often disturbs the natural symphony of change and nurturance within and around us. To prevent irreversible damage, we need to learn how to pause and retreat, both from ourselves and our planet. AthrĂș resembles a space where human interference does not exist, offering a window into a possible future.
Ultimately, nature has taught me to embrace change and to acknowledge the gradual process of healing. Connecting with it has reminded me of my responsibility to our symbiotic relationship. Embodied in a constellation of images, âEphemeral Bloomâ is both a personal memoir and a love letter to our shared world.
View this project on my website: https://christianjago.co.uk/ephemeral-bloom
The exhibition takes place in a desert-like environment. The landscape is an expanse of dark sand dunes. The sky is orange and thick with fog, creating the sense of being inside a dust storm. There is a sound of wind playing gently in the background.
Chapter one: The Storm
The genesis of my project traces back to a storm that carried grains of sand from the Sahara to the UK. Captivated by this phenomenon, I carefully gathered the dust and began to create cyanotypes. The delicate fragments, which had voyaged thousands of miles, ignited my curiosity, prompting me to learn about their origins. Locked within the dust is phosphorus, a vital nutrient for plant life. Storms such as this have been found to transport over 22,000 tons of the nutrient each year to the Amazon, essential for the survival of its diverse rainforest. The storms are a crucial component of the Earthâs system, and an inspiring example of nature supporting itself. The story of AthrĂș begins with a similar storm. Countless particles of life-giving dust take us on an airborne journey to the valley. They appear like stars, charting an expansive constellation, igniting worlds into existence. To me, the storm represents the inception of this project, marking the cusp of my journey to connect with nature and learn about myself.
The sound of wind can be heard, with the faint rustling of sand as it drifts through a desert environment.
Cyanotype on watercolour paper.
Marbling inks on watercolour paper.
Cyanotype on watercolour paper.
Cyanotype on watercolour paper.
Marbling inks on watercolour paper.
Cyanotype on watercolour paper.
Cyanotype on watercolour paper.
Marbling inks on watercolour paper.
Cyanotype on watercolour paper.
Cyanotype on watercolour paper.
Marbling inks on watercolour paper.
Cyanotype on watercolour paper.
Cyanotype on watercolour paper.
Marbling inks on watercolour paper.
Cyanotype on watercolour paper.
Cyanotype on watercolour paper.
Marbling inks on watercolour paper.
Cyanotype on watercolour paper.
Cyanotype on watercolour paper.
Marbling inks on watercolour paper.
Cyanotype on watercolour paper.
Cyanotype on watercolour paper.
Marbling inks on watercolour paper.
Cyanotype on watercolour paper.
Cyanotype on watercolour paper.
Marbling inks on watercolour paper.