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Catalog view is the alternative 2D representation of our 3D virtual art space. This page is friendly to assistive technologies and does not include decorative elements used in the 3D gallery.

Space Title

The BLOB of Im/Possible Images

Within the World Titled The BLOB OF IM/POSSIBLE IMAGES
Credited to Rosa Menkman
Opening date February 1st, 2021
View 3D Gallery
Main image for The BLOB of Im/Possible Images

Statement:

Imagine you could obtain an 'impossible' image of any object or phenomenon that you think is important, with no limits on spatial, temporal, energy, signal/noise or cost resolutions. What image would you create? (the answer can be a hypothetical image of course!)
This was the question I asked every scientist I spoke to during my Arts at CERN/Collide Barcelona residency. Not to source impossibility, but rather, to find the types of affordances that draw lines between what is possible and what is impossible.

The COVID pandemic brought an abrupt halt to my research; only on the occasion of an online commission in the frame of the HEK Net Works (2021), I found the push to revisit and process the contributions I had collected. I started by compiling all the im/possible images in a single document to create an initial categorization. I then created the BLOB to present an initial classification

The BLOB (Binary Large OBject) gives a home to the collection of Im/Possible images that all together illustrate the concept of the impossible image and the relationships between affordance, resolution and compromise. As different Axes of Affordance cut the BLOB, they define what is possible to resolve, and what images are compromised, or in other words, will never be rendered. While normally these compromised images would never find their way to our eyes, the hypothetical realms of the BLOB offer pasture to these impossible renders.

In the summer of 2021, I was invited to curate a physical exhibition of Im/Possible images at the Lothringer 13 Halle (München) - an opportunity to transform the Lothringer into a real space actualisation of the virtual BLOB. This exhibition spawned the Im/Possible Summer school and the Im/Possible Reader, which both represent a moment in my im/possible images research, which I will extend in 2023 with unnamed colours and im/possible rainbows. I consider the BLOB and its contingents as a framework to introduce thinking through impossibilities.

Artworks in this space:

Artwork title

DCT:SYPHONING soundtrack

Artist name Rosa Menkman
Artwork title

You are here

Artwork Description:

Map to the BLOB of Im/Possible Images. 
Featuring an Ecology of Compression Complexities. 

⦁ Dots
━ Lines
▩ Blocks
⌇ Wavelets
⟗ Vectors

You are here
Artwork title

Inside a proton

Artist name Impossible image due to spatial resolution
Artwork Description:

Added by: Mark Sutton (trigger, CERN)

A proton consists of 3 quarks which are, besides gluons, the fundamental building blocks of the universe. These subatomic particles, the smallest particles we know of, are far smaller than the protons and neutrons in which they are found. 

But Quarks are also smaller than the wavelengths of (visible) light. This means there is no equipment available for actually taking this image. 

Artwork title

Medipix

Artist name Temporarily impossible images due to political / financial constraints
Artwork Description:

Added by: Rafael Ballabriga Sune

A colour X-ray imaging technique that produces 3D cut-through pictures, to help doctors diagnose their patients more accurately. At the moment the time penalty for creating these scans is too high to use in practice. 

"Medipix is a family of read-out chips for particle imaging and detection. The original concept of Medipix is that it works like a camera, detecting and counting each individual particle hitting the pixels when its electronic shutter is open. This enables high-resolution, high-contrast, very reliable images, making it unique for imaging applications in particular in the medical field."

Medipix
Artwork title

Missing Image

Artist name Images that cannot be imagined (due to habitual practice)
Artwork Description:

Missing images are ubiquitous, but seldom considered. I think we are actually conditioned not to think about what is missing. This is one way for bias to slip into our routines. 

Missing Image
Artwork title

A photo of the moon next to Andromeda Galaxy

Artist name ‘doctored’ Image (actual image is impossible due to the laws of physics, nature or reality)
Artwork Description:

Moon texture by NASA, Andromeda by Andrei Shirkin

In the sky, the Andromeda galaxy is about 3x as big as the moon or the Sun. If you hold up your thump in front of you, you see it will be roughly the same size as both the moon and the Sun. Andromeda would be much bigger.
It is however impossible to capture the Andromeda galaxy and the moon in one picture: Andromeda is too far and not bright enough. Next to the Moon the galaxy would wash out.
All the photos we have of the night skye in which we see both the Moon and Andromeda are doctored.

No preview available for FBX file.
Artwork title

A photo of the moon next to Andromeda Galaxy

Artist name ‘doctored’ Image (actual image is impossible due to the laws of physics, nature or reality)
Artwork Description:

Moon texture by NASA, Andromeda by Andrei Shirkin

In the sky, the Andromeda galaxy is about 3x as big as the moon or the Sun. If you hold up your thump in front of you, you see it will be roughly the same size as both the moon and the Sun. Andromeda would be much bigger.
It is however impossible to capture the Andromeda galaxy and the moon in one picture: Andromeda is too far and not bright enough. Next to the Moon the galaxy would wash out.
All the photos we have of the night skye in which we see both the Moon and Andromeda are doctored.

A photo of the moon next to Andromeda Galaxy
Artwork title

Impossible Images

Impossible Images
Artwork title

The Quantum Vacuum at a slice of Planck constant time

Artist name Impossible image that can only be imagined
Artwork Description:

Planck constant time is the smallest slice of time, while the Quantum Vacuum is a state with the lowest possible energy, in which every possible state is possible at the same time, if these states even each other out at that particular interval. 

In other words: a possible slice of everything all at once, with a zero sum of nothing. 

(this explanation is written by a non-physicist and is up for debate!) 

Artwork title

Portal made from the Shadow of Dark Matter

Artist name Speculative image
Artwork Description:

Only 5% of our universe is made out of ordinary matter and energy (energy and matter we know and understand), while the rest is divided between 27% dark matter and 68% of a form of energy known as dark energy.

Dark matter is called dark because it does not appear to interact with the electromagnetic field, which means it does not absorb, reflect or emit electromagnetic radiation, and is therefore difficult to detect. 

Artwork title

Download the Im/Possible Images Reader here

Im/Possible Reader
Artwork title

Download the Im/Possible Images Reader here

Im/Possible Reader
Artwork title

SUBMIT AN IMPOSSIBLE IMAGE VIA THIS FORM

Im/Possible Reader
SUBMIT AN IMPOSSIBLE IMAGE VIA THIS FORM
Artwork title

Obsolete Gamut at Zenith

Artist name Rosa Menkman
Artwork Description:

A pixelated, colourful texture unfolds along the dome. Pixels move in swirls, creating some kind of depth, bottlenecks, to finally disappear or flow forward in ways reminiscent of pressure waves or a storm. 

An Obsolete Gamut at Zenith explores the fluidity and impermanence of data, using digital obsolescence quite literally as its material. In everyday life data, just like any other material, is subject to the hardware, software, and platforms through which it flows. These systems can leave indelible marks on it, altering or deforming its structure and content. 

Technically, a source video was compressed with AVI Cinepak (1991), using an 8-bit grayscale palette (256 greys). Its blocky texture, a result of quantization in the 8-bit grayscale palette, illustrates how continuous values are transformed into a limited range of discrete greys. With the decline in support for the Cinepak codec, modern media players fail to properly interpret its color palette, leading to a striking and unintended alteration in color representation. This misalignment leads to unexpected but striking misrepresentation of its now obsolete gamut, resulting into randomly diverging colour palettes.  

An Obsolete Gamut at Zenith mirrors the rapid evolution of codec technologies, highlighting the ephemeral nature of digital data, which is constantly transforming and evolving within the landscape of digital compression and decompression.

Commissioned and acquired by Kunstpalast Dusseldorf, Germany.