Room 5

Namena on the front of family friends lawn in Alabama

@_kourtneyiman on Instagram

@kourtinthakut on Twitter

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Melbourne, 2020, Medium format film image

@_markforbes_ on Instagram

@_markforbes_ on Twitter

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Melbourne, 2020, Medium format film image

@_markforbes_ on Instagram

@_markforbes_ on Twitter

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“My belly had become so big, doctors thought I was going to have twins. My stomach muscles completely split, to the point that the doctors could barely distinguish them during the C-section. They said it was the worst damage to stomach muscles that they had ever seen....
.... And then our Emilia was born, weighing 12lbs and 14oz. I became a mother to this miracle. My little child...”

“Hello! My name is Amber. I am a mother. I have scars. I will wear my scars like a jewel on my body and my soul. I celebrate my scars.”

@butnaturalphotography on Instagram

@sujatasetia on Twitter

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Nonna

@cosimodamiano_ on Instagram

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Nonno

@cosimodamiano_ on Instagram

I Started to take pictures of these family in 2014. At the beginning they were three sisters,then four and finally Emile came to the world. We meet every year in their family house in the mountains in Catalonia. I Spend several days living with them, we take pictures, we play, we have fun, sometimes one of them gets angry and doesn't want to be in the picture. I have learned to be patient and attentive, to wait, to observe when it is the right moment to shoot a picture. Just after the first lockdown, I went to visit them at the beginning of June 2020. We decided that in the pictures of that year the mask had to be present. They stood very seriously in front of me and gave that precious moment.

@cristinafontsare on Instagram

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Two sisters, 12 and 11 in summer 2020. Similar but different.

@cristinafontsare on Instagram

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I took this picture in February 2021. I rescued from the bottom of the closet a sheet of my great-grandmother that had been stored for years. I brought it to the photoshoot adventure I do with the children every year. We created a playful ghost situation. We were all unconfined so was my great grandmother's spirit

@cristinafontsare on Instagram

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My city has a gorgeous canal, dressed up with lights and some pretty unique architecture. The black-and-white stills from this area always make me feel like I've stepped into the 50's.

@earthandskyphotos on Instagram

@earthandskyin on Twitter

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A world on standby can be a wonderful thing. Nature feels natural again. The streets are quiet and the forest is loud; birds chirping while the wind rustles the leaves. This photograph was taken on one of my 70 walks through the local forest in 2020. The red and white caution tape can be interpreted as one of the many barricades we faced in a tough year. 

While the internet is full of opinions, discussions, information, and misinformation - many viewers would jump to the conclusion that we went so far as to close off the wilderness. It would be an obnoxious assumption, but in this day and age it could easily pass as true. 
(In reality, this is just a section of a new bike trail being built.) 

Photographed in Zurich, Switzerland, 2020

@frederik.vandenberg on Instagram

@FvdbPhotography on Twitter

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Basketball court in Xinjiang province

@guzco on Instagram

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This is what I have to do now with my life. When this pandemic began in 2020, I lost control like people around the world. I talked with my parents more than ever and shared almost all my time with them. 

I searched for photos of my family in the past. I walked where my late grandparents lived and kept taking pictures. Then I tried to connect the present and the past. It was a kind of spatiotemporal movement as if I went back to where my soul had been. There were memories full of love and sadness. 

This April, my father said, "This year's cherry blossoms don't look beautiful at all." I couldn't help feeling the death from the scattered cherry blossoms. Cherry blossoms are drawn on the fighters, and the military song says,
"Since we are flowers, we are doomed to fall. Let us fall magnificently for the country."

My grandfather went to the Pacific War. He came back and gave birth to the daughter who gave birth to me. I think it's a miracle. There are countless reasons why I wasn't born here.

@kaiykym on Instagram

@kaiykym on Twitter

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Héxis, Copyright © Claudia Fuggetti, 2021

@lafugg on Instagram

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Taken at home during lockdown period in South-Africa, expressing the conflicting feelings and restriction the global pandemic has evoked not only in myself and my wife but by everyone in the world.

@leopoldfrechowphotography on Instagram

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Both works were created in lockdown, I am used to seeing my Gramps everyday and suddenly due to covid restrictions that was taken away. Using screens to symbolise the physical barrier put in place through lockdown and my every growing fear of losing him. It is all very time based, emphasising the fear of time passing and me losing crucial minutes with him, he means the world to me and by using photography I am able to freeze those precious moments, preserving him and keeping those minutes forever. Using hands to symbolise connection, strength and reaching out to those we love, hoping to connect to a wider audience of us all missing our loved ones.

@lucyvealephoto on Instagram

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Both works were created in lockdown, I am used to seeing my Gramps everyday and suddenly due to covid restrictions that was taken away. Using screens to symbolise the physical barrier put in place through lockdown and my every growing fear of losing him. It is all very time based, emphasising the fear of time passing and me losing crucial minutes with him, he means the world to me and by using photography I am able to freeze those precious moments, preserving him and keeping those minutes forever. Using hands to symbolise connection, strength and reaching out to those we love, hoping to connect to a wider audience of us all missing our loved ones.

@lucyvealephoto on Instagram

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A digital montage generating a material disruption that encapsulates the potential of the human body as a constructed, deconstructed and reconstructed form of matter. 

Presented as an abstract form and geometric system, the body can be understood as both a site for theoretical discourse and the vessel from within which we experience ourselves and the surrounding world in which we reside. 

The 'Throwness' of our existence into the structures of our time.

@marnieselbyart on Instagram

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JV Besa, 27, second year Internal Medicine resident at the Philippine General Hospital enters the COVID-19 wards, where he'll be stationed from 6:00am to 2:00pm, on Friday, April 10.

@martinsandiego on Instagram

@martinsandiego on Twitter

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An invisible illness exposed us to a heightened sense of vigilance and cleanliness, but also being quarantined in the house for long periods of time to 'survive'.

@MatteoDelred on Instagram

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The cities lie dormant in their emptiness. They wait patiently for the return of their mask-wielding public, and the noise escaping from their home-dwelling isolation.

@MatteoDelred on Instagram

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Nikee took expired passports from countries that no longer exist and tried to reflect on the passport photo, using it to find a way to tell the passport owner's personal story. The East German Passport was issued at a time when the Berlin Wall separated East From West. I tried to capture the feeling that the owner's identity might be. The East were adamant that they would not be democratic like the west, and seized control of the peoples freedom. The East German passport reflects the lack of identity that the east were willing to give to individuals leaving the passport photograph as nothing but a wall. This gentleman had no identity, no control over his way of life and no voice to speak with.

@nikee_brooklyn on Instagram

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I Saved a Bird, but it Lost a Feather, 2020.

@ryleyclarke on Instagram

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Stuck in quarantine. I wanted to literally go out and touch the sky but confinement showed me having an easy life is difficult.

@shazdirector on Instagram

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The 1975, Laneway Festival, 2020.

@ryleyclarke on Instagram

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A portrait of Katya, in a small room that she rented during the quarantine. Previously, there was a hotel here, but after the law banning hotels in residential buildings, the owner of the premises began to rent out hotel rooms for a long time.
The time of the pandemic is the time of movement restrictions. People are faced with a rethinking of the perception of the house. Temporary housing for many suddenly turned into a shelter.

@snazarovphoto on Instagram

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Towako isolating in her car with a parrot and Venus bust during the lock-down

@yuliasko.ph on Instagram

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Made while playing around the house

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Tom and Genna live in Fleet, a small town in the South East of England. Having met each other at college but moving to different universities, both had different experiences of isolation. Returning to Fleet during the second national lockdown, as universities began to close, they started to date. With this portrait, I wanted to celebrate the strength of our nation during the past year. For me, Tom and Genna represent the endurance of intimacy and connection to the exterior world that the isolation of the past year has attempted to cut off.

@aaronhd_ on Instagram

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I Am...when a person leaves a violent or controlling relationship they have often lost their core identity. I Am is an opportunity to transform, to witness a new identity emerging and a new journey begun. In partnership with SafeLives whose patron is the Duchess of Cornwall, these portraits, shot on film, will help to transform the narratives of domestic violence. Stop asking, "why didn't they leave. Ask why the perpetrator did not stop."

@allie_crewe on Instagram

@alliecrewephoto on Twitter

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Have you tried wearing latex clothing before? What sort of compulsive desire compels someone to undertake such an arduous mission of putting on latex? Is the final stage of being completely encased and snug under latex really worth the pains? But of course, it doesn't end there - one has to take their skintight latex outfit off too, and one will struggle then too. Can we really imagine Sisyphus to ever be happy if he was in a similar circumstance?

@antibart on Instagram

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This is part of a series of images made during the first lockdown about online intimacies along inclusive representative lines of gender and sexuality. Here is a portrait of my friend June, a trans man, posing in a variation of Peter Hujar's chair portraitures. It was our humble attempt to expand the modern queer visual lexicon, while borrowing from an urgent visual grammar (that of the video call) which I think will come to define a generation.

@antibart on Instagram

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Parks are the new pubs.

@cath_muldowney_photography on Instagram

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When not going out was still a novelty.

@cath_muldowney_photography on Instagram

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Distorted memories is part of my project: "Fractioning space into separate places". The project is an introspective journey through the year of covid-19 through reflections on how our lives have changed. This artwork was born by exploring my personal archive. Images of moments of past travels and different encounters with other people, whose memories became more and more distant in my mind during the quarantine.

@christian_velcich on Instagram

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Not attending school during the height of the pandemic  was incredibly challenging for everyone. But in mid-June 2020, it really hit us all very hard, the endless days of being at home. Not just the gaps starting to form by the lack of consistent ‘home education’ but the emotional cracks on my daughter started to show. Polly was starting to really miss her best friends. She the needed the playground banter, the hugs, and the social and physical aspects that school life offers.

@clairscollections on Instagram

@Robins_clair on Twitter

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During the pandemic, the ‘stay at home’ novelty wore off for my eldest daughter after a few weeks. The lack of routine was fun, but she missed the social interaction that school offered. Emotionally she was fine, but some days she seemed more distant than others, I was paying less attention to her as I was working from home and felt pretty on edge myself.

I did like how she filled her time with crafts, creative activities, doodles and completed meaningless tasks to fill the time, it was good to see alternative imaginative moments away from screen time.
This was a message she wrote about her frustrations and anxiety to the ‘evil’ virus. The notebook was accidently left out in the garden during heavy rain one day in June 2020, we can’t really remember what she wrote.

@clairscollections on Instagram

@Robins_clair on Twitter

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This photograph is from a project titled That year by the river. 

Made between January 2020 and December 2020, That year by the river drifts through Glasgow observing moments of everyday life during this historical year.

Beginning two months before the pandemic hit Scotland, this work experienced the monumental transition in public life, yet the introduction of face masks and social restrictions are not explicitly visible. Instead, these photographs focus on the subtle changes to public psychology; reflecting a heightened awareness of time, light and movement amidst a new normal.

@gideonvass on Instagram

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April 05, 2020 - Berlin, Germany: A woman runs on the abandoned Kantstrasse Budapester Strasse crossing in the heart of West Berlin. This crossing was one of the busiest crossings in town before the shutdown.
The coronavirus pandemic has hit Germany hard, with more than 100,000 people infected, but the percentage of fatal cases has been remarkably low compared to many neighboring countries.

@hermannbredehorst on Instagram

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 April 05, 2020 - Berlin, Germany: A man wears a mask on Alexander Platz. This crossing counted  about a 100000 cars per day before the shutdown. On top of the high riser in the background artists had mounted a sign that reads: Allesandersplatz. (A play of words which reads:  everything different place). 
The coronavirus pandemic has hit Germany hard, with more than 100,000 people infected, but the percentage of fatal cases has been remarkably low compared to many neighboring countries.

@hermannbredehorst on Instagram

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What is left on the curatorial floor of your social media account?

@jayham.journal on Instagram

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This was taken at a remote lodge, only accessible by boat or plane -- where I spent my isolation for the first 30 days.  I brought up a few items in hope to create with the few people in isolation with me.  this here depicts what we all felt once, our daily purposes were taking away from us, and forced to find a greater purpose then what we had been told our whole lives.

@jordiehennigar on Instagram

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A man raises his fist in front of police cars at a Black Lives Matter protest in Los Angeles

@kasia.trojak on Instagram

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Hesitate to go out

@lars_arned on Instagram

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Between vestiges

@lud.luna on Instagram

@ludbathory on Twitter

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Black lives matter protesters are photographed during the pandemic at the beginning of spring 2020 at Bute Park in Cardiff. The protest was held after the murder of George Floyd and as a response to police brutality across the world against people from varying ethnic backgrounds. Thousands of people turned up to support the movement. The individuals in the shot are unknown.

@markgriffphoto on Instagram

@markgriffphoto on Twitter

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A Couple is separated by a police barrier tape at the green border between the western Austrian town of Lustenau and Au in Switzerland during the first COVID-19 pandemic lockdown.


@mirokuzmanovicphoto on Instagram

@MiroKuzmanovic on Twitter

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From the 'Soma' series created in collaboration with Amelia Zadro

@nikita.korchunov on Instagram

@NKorchunov on Twitter

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During the pandemic I moved to rural West Virginia to be with my partner and near friends and to try to stay safe.  In the following year we transformed the old wood shop into a studio.  It was finished in February 2021 and I went to work learning.  This portrait was taken my first week in the studio and was part of my practice with light.  I am the model because I was the only one available at that time and for some time after. I had a lot to learn and I didn't want to subject others to "let's try that again".  This is me, this is practice, this is learning and accomplishment. Although the gaze may say different, this is joy.

@nonnie9975 on Instagram

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Kai draws hearts on the shower glass during a prolonged lockdown in Kuala Lumpur, Malaysia. Long slow days conjure a mixture of boredom and mindfulness, reminiscent to the days with a newborn. Documenting these moments may one day evoke nostalgia in the same way.

@patriciakrivanekphoto on Instagram

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Portrait of Andrew -  I encased the instant film in a plastic bag, filled it with liquid, and photo scanned.

@ryankevin on Instagram

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People from the Diaspora came together, in the inner city of Vienna to show their support in the fight against SARS in Nigeria. END SARS is a social movement and series of mass protests in Nigeria against police brutality. The Special Anti-Robbery Squad (SARS) a unit of the Nigerian police with a long record of abusing their powers is being called to be dismantled by the Nigerian citizens.

@samira.said.i on Instagram

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From the series Places of Passage. A poetic reflection on solitude and the passage of time, induced by an extended period of self-isolation.

@silvia.de.giorgi on Instagram

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Joyful celebration amongst neighbors in the streets of Harlem as Joe Biden wins the Presidential election. Defeating Donald Trump.

@senoraros on Instagram

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From the series Places of Passage. A poetic reflection on solitude and the passage of time, induced by an extended period of self-isolation.

@silvia.de.giorgi on Instagram

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I grew up by this beach. It brings memories of childhood, of laughter and happiness. This is also where my father's ashes are scattered. Now that I live far away, I hold communion with this sea every time I visit. “Those who live by the sea can hardly form a single thought of which the sea would not be part.” – Hermann Broch.

@susdedios on Instagram

@susdedios on Twitter

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Last year, during the brief window between lockdowns, we were walking down a quiet street on a sunny autumnal morning in Vejer (Southern Spain), when I saw a beautiful old man in the company of himself, under a pink bougainvillea vine. I knew I had to stop to say hello. He was overjoyed. We had a lovely chat. I feel that the global situation has been particularly hard on old people. The pandemic has added an extra layer of isolation on them, who even under normal circumstances are cast aside after their working lives are over. This was a beautiful encounter which I will never forget. One year on, I'm leaving again for Spain soon, with a print of Paco's portrait, in the hope that I will meet him again outside his little house in the hilly town of Vejer.

@vikramkushwah on Instagram

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Vanessa is native girl who lives in the Mi'kmaq First Nation Listuguj, in the province of Quebec. She's part of a group of people who are attending Mi'kmaq classes, in order to take back their traditions, starting with their language.

@gretastella_ on Instagram

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*Nadia and her new baby talk to the nurse on the maternity ward. Giving brith during lockdown saw many challenges. Many pregnant women stayed away from hospital for as long as possible. Fearing the infection, they came as late as they dare and check out as fast as they could, often giving birth at home. Staff over stretched and having to cope with the hot claustrophobic PPE. Partners had very limiting visiting times, mothers had to cope alone.

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From "Confinement Spaces", 2020-ongoing Print/NFT, variable.

@patlichty_art on Instagram

@patlichty on Twitter

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WE ARE THE EYE, 2019
By René Habermacher, Lynsey Peisinger and Antoine Asseraf.

“We Are The Eye” Is a collective performance created during the first lockdown in which participants film themselves in place of their confinement following audio instructions reminiscent of a photo shoot. 

The 26 participants are unified by a voice and a purpose. Each performance is an individual response in a remote dialogue brought together in one edit using a continuous timeline.

The project was created by choreographer/performer Lynsey Peisinger and photographer René Habermacher, and produced in collaboration with The Stimuleye and director Antoine Asseraf with the participation of: Thanassis Petroyiannis "A Man To Pet", Ola Rudnicka, Genna McAllister, Mads Bittman, Suzi de Givenchy, Tsanana, Jade Tong Cuong, Agathe Rousselle, Matthew Moorman, Adam Ringstedt, Aurelia Ammour, Felicia Szekely, Laure Bouys, Ippei Hosaka, Konstantinos Ntakas "HOPE", Sofia Jonsson, Miles Greenberg, Zina Desipris, Johnathan Ellison, Panos Kokkinis, Gregoire Dyer, Adam Shevelle, Cristina Rodlo, isaac Espinoza Hidrobo

@renehabermacher on Instagram

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FILM OF 26 INDIVIDUALS PERFORMING SIMULTANEOUSLY WHILE IN COVID19 ISOLATION