Catalog view is the alternative 2D representation of our 3D virtual art space. This page is friendly to assistive technologies and does not include decorative elements used in the 3D gallery.
The Fallen Garden is a shared virtual environment built around the “dead internet” as both ruin and possibility, seen through a feminine lens. The space drifts between bedroom, greenhouse, and rock interior: fragments of interfaces, broken signals, and domestic objects hang together like debris from a world that once lived almost entirely online.
Rather than treating the Dead Internet as a void or a threat, the work imagines it as a strange afterlife—a garden of leftovers where feeds, glitches, and AI voices become material to be rearranged. Each room is authored from a female perspective: a teenage girl’s damp bedroom after the network has gone silent; an oversized rock-structure that shrinks the visitor’s body; small corners for sentiment, overthinking, and care. These are interiors where femininity has often been disciplined, aestheticized, or marketed back to itself, now reoccupied as places of rebuilding.
Moving through The Fallen Garden. Here, the dead internet becomes soil rather than endpoint: a ground on which other ways of being online and offline, of inhabiting femininity, might tentatively take root.
As you enter, allow your gaze to lift and turn inward. Flowing forms, shifting light, and immersive sound guide you in to a contemplative space where attention turns from outward display to inner reflection. Let yourself ascend within this clouded, reflective environment, dwelling in the bardo of suspended time. Here, feminine presence, meditation, and transformation unfold, offering a quiet flight toward introspection, renewal, and the discovery of your own inner wings.
Floating from one side of the Earth to the other side
"What's something that you want to tell me the most?" Scan the QR code and answer my questions annonymously
Created by me in Pennsylvania and my family was in China
Mom (Baozhen) in the 90s sent by mom in 2020
This installation recreates a teenage girl’'s bedroom after the internet dies—a life that existed online now scattered into physical pieces. Screens gone dark, diaries filled with confessions. At the “machine ruins,” an interface makes typed words fall like tears, piling up into visible overthinking—until you find a story on the table, marking the beginning of something “new.” The room unfolds like a shift in self: a path from algorithmic companionship toward something more real.
Click to listen to her voice.wav
a person into something whole."
Lumen Hall is a transparent, glass walled gallery where light, reflection, and perception converge. Visitors inhabit a luminous space that transforms observation into introspection.
-Louise Bourgeois
which is what fear and anxiety do to
something that is fragmented
inflicted in life, to make
repair the damages that are
Cloud Citadel suspends viewers between air and imagination. The open-air, reflective structure evokes a castle among clouds, bridging the real and the ethereal. Visitors inhabit a space of reflection and wonder, where light, presence, and fantasy converge.
"Art is restoration: the idea is to
Bardo Clouds invites viewers to inhabit a liminal sky where heaven is not distant but present and perceptible. Rotating slowly above, the clouds dissolve boundaries between self and space, surface and depth, temporal and eternal. In the bardo, this piece renders the sublime accessible without ascension, as one need not climb to the heavens to encounter reflection, serenity, or revelation. The work situates viewers in a transitional state, where observation becomes introspection and the ordinary becomes a vessel for insight.
The collapsed greenhouse exists as a small digital photo archive of a daughter’s memories of the internet, which keeps her connected to her mother in China and to the memories of disappeared websites. Reconnect through the interactive vibe-coding website that simulates the Message-in-a-bottle application in China, which was terminated in 2019. The video showcases a conversation between mother and daughter about the internet, a message-in-a-bottle, and their connections, which was mostly conducted online due to the physical distance between them.