lmy group show space pt 2

This is a video of some corn. Enjoy. 

"Avatars" is an audiovisual space with 6 looping videos, accompanied by the audio track of the same name from the compilation album "Enter the Metaverse, A Solarpunk Experience". The album was created in collaboration with 8 other musicians, and its track list is a tongue-in-cheek reference to Mark Zuckerberg's "Facebook Connect" conference and presentation on the future of "the metaverse" in October 2021. The videos' content eludes to both past and present conceptualizations of the metaverse, using analog video captured digitally to compare and contrast early interpretations (such as the virtual world in the 2003 online game "Second Life") with present-day ambitions of the future, suggested in Zuckerberg's keynote presentation. The audio track "Avatars" samples both Philip Rosedale's and Mark Zuckerberg's descriptions of what they imagine the future of the metaverse to be.

"Avatars" is an audiovisual space with 6 looping videos, accompanied by the audio track of the same name from the compilation album "Enter the Metaverse, A Solarpunk Experience". The album was created in collaboration with 8 other musicians, and its track list is a tongue-in-cheek reference to Mark Zuckerberg's "Facebook Connect" conference and presentation on the future of "the metaverse" in October 2021. The videos' content eludes to both past and present conceptualizations of the metaverse, using analog video captured digitally to compare and contrast early interpretations (such as the virtual world in the 2003 online game "Second Life") with present-day ambitions of the future, suggested in Zuckerberg's keynote presentation. The audio track "Avatars" samples both Philip Rosedale's and Mark Zuckerberg's descriptions of what they imagine the future of the metaverse to be.

"Avatars" is an audiovisual space with 6 looping videos, accompanied by the audio track of the same name from the compilation album "Enter the Metaverse, A Solarpunk Experience". The album was created in collaboration with 8 other musicians, and its track list is a tongue-in-cheek reference to Mark Zuckerberg's "Facebook Connect" conference and presentation on the future of "the metaverse" in October 2021. The videos' content eludes to both past and present conceptualizations of the metaverse, using analog video captured digitally to compare and contrast early interpretations (such as the virtual world in the 2003 online game "Second Life") with present-day ambitions of the future, suggested in Zuckerberg's keynote presentation. The audio track "Avatars" samples both Philip Rosedale's and Mark Zuckerberg's descriptions of what they imagine the future of the metaverse to be.

"Avatars" is an audiovisual space with 6 looping videos, accompanied by the audio track of the same name from the compilation album "Enter the Metaverse, A Solarpunk Experience". The album was created in collaboration with 8 other musicians, and its track list is a tongue-in-cheek reference to Mark Zuckerberg's "Facebook Connect" conference and presentation on the future of "the metaverse" in October 2021. The videos' content eludes to both past and present conceptualizations of the metaverse, using analog video captured digitally to compare and contrast early interpretations (such as the virtual world in the 2003 online game "Second Life") with present-day ambitions of the future, suggested in Zuckerberg's keynote presentation. The audio track "Avatars" samples both Philip Rosedale's and Mark Zuckerberg's descriptions of what they imagine the future of the metaverse to be.

"Avatars" is an audiovisual space with 6 looping videos, accompanied by the audio track of the same name from the compilation album "Enter the Metaverse, A Solarpunk Experience". The album was created in collaboration with 8 other musicians, and its track list is a tongue-in-cheek reference to Mark Zuckerberg's "Facebook Connect" conference and presentation on the future of "the metaverse" in October 2021. The videos' content eludes to both past and present conceptualizations of the metaverse, using analog video captured digitally to compare and contrast early interpretations (such as the virtual world in the 2003 online game "Second Life") with present-day ambitions of the future, suggested in Zuckerberg's keynote presentation. The audio track "Avatars" samples both Philip Rosedale's and Mark Zuckerberg's descriptions of what they imagine the future of the metaverse to be.

"Avatars" is an audiovisual space with 6 looping videos, accompanied by the audio track of the same name from the compilation album "Enter the Metaverse, A Solarpunk Experience". The album was created in collaboration with 8 other musicians, and its track list is a tongue-in-cheek reference to Mark Zuckerberg's "Facebook Connect" conference and presentation on the future of "the metaverse" in October 2021. The videos' content eludes to both past and present conceptualizations of the metaverse, using analog video captured digitally to compare and contrast early interpretations (such as the virtual world in the 2003 online game "Second Life") with present-day ambitions of the future, suggested in Zuckerberg's keynote presentation. The audio track "Avatars" samples both Philip Rosedale's and Mark Zuckerberg's descriptions of what they imagine the future of the metaverse to be.

There is life between walls, within objects. And just about everything is real.
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"Magazines in the reading room?"
"No."
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"The ice in Antarctica's melted." 
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"[unintelligible] a great wave."
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"I don't want to read very much today."

𓃒  𓏆  𓐮

𓊄 𓈨 𓐊

Pulse Width is a GIF centered around the idea of "Loss of time". It has been showcased in the Eye Myth festival, a 
digital media arts festival based in India. 

"As time leaves its marks on the eye, the perceiver observes movement and life. To move ahead is to move into and to live is to come out of. Pulsewidth utilises perception to narrate an ambiguous journey that takes you everywhere and nowehere at the same time."

𓊅 𓅓 𓂯 

𓁸 𓀁 𓄱

Daniela Vollmer (Basel) collaborates with sound artist Ismael for a new rendition of her original video/sculpture installation "First Come, First Served"