Art
City
Catalog view is the alternative 2D representation of our 3D virtual art space. This page is friendly to assistive technologies and does not include decorative elements used in the 3D gallery.
Bedroom-home / Quarto-lar
Spaces in this world:
Links in this space:
Statement:
Crislaine Tavares. Born in 1997, Rio de Janeiro, Brazil. Visual artist, researcher, graduated in Engraving from the School of Fine Arts of the Federal University of Rio de Janeiro (UFRJ). Currently in the Ventre-n1 Program at the HOA gallery.
At the beginning of her artistic career, she researched the objectification of black women, during this process she came across very complex sensations. After frustrated attempts to continue with this research that was generating her illness, she started a research in development, where she chose to experiment with lyrical abstraction, in a process of meeting with herself, seeking an internal communication with the sensitive in the exercise of breaking from external impositions on your body, feeling, knowing and thinking, mainly from drawing, among other languages as a writing process about your movement, dialoguing with the place where you live, to the memories that permeate this place of origin, as a starting point of departure. As the experiences with her work passed, she has been affirming the senses as a form of knowledge, which seeks to nourish the body in the face of a more attentive listening, in which she welcomes and always chooses to care, as a strategy of not becoming ill, tracing the paths taken.
Bedroom-home is an environment in which she seeks to materialize the desire to have a room of her own where she could create a welcoming world to inhabit her desires and anxieties.
3D Environment Description:
The bedoom-home is a space where signs produced in my existence inhabit. Plants, drawings, paintings, poems, music, with most of them as 3D objects. A sphere made of paint, which goes on top of the scenery like a world, like a sun that guides me, floating over plants that are part of my life. Where, in the middle of them, there is a cube with important paintings in my artistic trajectory that I transform into a room that floats over this space, with a bed made of drawings, my voice on it and a video exhibition about my desire to play the keyboard.
In the sphere I wanted to build an idea of the world. I wrote a poem and produced a video that I'm lying down trying to feel comfortable with myself and through the poem it conveys a little of my anguish and thoughts. The poem that follows in space along with the plants that float above it pursues the same question. The space is in salmon color mixing to pink, mixing between its tonalities and there is no floor, it continues with plants that float and leisurely in one of the plants there is the painting cube, which I named as a room and when I entered it echoes my voice commenting on what a room would like to be. With a 3D bed made of abstract drawings by me, next to it is a dresser with a lamp. In front of the bed, there's a video where I'm playing the keyboard in someone else's room.
Artworks in this space:
Audio invitation / Áudio-convite
BIOGRAPHY Crislaine Tavares. Born in 1997, Rio de Janeiro, Brazil. Visual artist, researcher, graduated in Engraving from the School of Fine Arts of the Federal University of Rio de Janeiro (UFRJ). Currently in the Ventre-n1 Program at the HOA gallery. At the beginning of her artistic career, she researched the objectification of black women, during this process she came across very complex sensations. After frustrated attempts to continue with this research that was generating her illness, she started a research in development, where she chose to experiment with lyrical abstraction, in a process of meeting with herself, seeking an internal communication with the sensitive in the exercise of breaking from external impositions on your body, feeling, knowing and thinking, mainly from drawing, among other languages as a writing process about your movement, dialoguing with the place where you live, to the memories that permeate this place of origin, as a starting point of departure. As the experiences with her work passed, she has been affirming the senses as a form of knowledge, which seeks to nourish the body in the face of a more attentive listening, in which she welcomes and always chooses to care, as a strategy of not becoming ill, tracing the paths taken. Bedroom-home is an environment in which she seeks to materialize the desire to have a room of her own where she could create a welcoming world to inhabit her desires and anxieties. BEGINNING OF SPACE Hello! Get in! Feel free! My name is Crislaine. I'm a woman, black with light skin, with curly curly hair that reaches my shoulder, with brown eyes, I'm 1.65m tall, when I introduce myself I'm wearing a crochet coat in velvet moss green and dark green velvet pants. My wish was to build a room, a place I could call home. Where I could put my ideas and project the ideals that consist of me. From that, I would like you to share with me this cozy experience that I bring about my desires. Welcome to the Home Room. To the indicated locomotion commands on the “W” keys to move forward, “A” to the left side, “S” to backwards, “D” to the right side, “E” to fly and “C” to descend. I will first guide you to my world, a sphere in which my voice echoes in front of a video in which I present myself lying down in search of my own comfort. Throughout this process you will be able to float over the plants to reach my room, covered by paintings and poems that I wrote, to my experience playing keyboards without knowing about music theory. Follow with an open heart to get to know me a little more. Make yourself comfortable, I'm happy to welcome you!
BIOGRAPHY Crislaine Tavares. Born in 1997, Rio de Janeiro, Brazil. Visual artist, researcher, graduated in Engraving from the School of Fine Arts of the Federal University of Rio de Janeiro (UFRJ). Currently in the Ventre-n1 Program at the HOA gallery. At the beginning of her artistic career, she researched the objectification of black women, during this process she came across very complex sensations. After frustrated attempts to continue with this research that was generating her illness, she started a research in development, where she chose to experiment with lyrical abstraction, in a process of meeting with herself, seeking an internal communication with the sensitive in the exercise of breaking from external impositions on your body, feeling, knowing and thinking, mainly from drawing, among other languages as a writing process about your movement, dialoguing with the place where you live, to the memories that permeate this place of origin, as a starting point of departure. As the experiences with her work passed, she has been affirming the senses as a form of knowledge, which seeks to nourish the body in the face of a more attentive listening, in which she welcomes and always chooses to care, as a strategy of not becoming ill, tracing the paths taken. Bedroom-home is an environment in which she seeks to materialize the desire to have a room of her own where she could create a welcoming world to inhabit her desires and anxieties.