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Space Title

MoCIA: Courtyard

Within the World Titled Museum of Computational Image Artefacts
Credited to Peter Ainsworth
Opening date September 2nd, 2024
View 3D Gallery
Main image for MoCIA: Courtyard

Statement:

Welcome to the Courtyard of the Museum of Computational Image Artefacts (MoCIA), featuring an exhibition on the mobile game Pokémon Go, with a focus on its AR function within the museum context. This practice-based research explores how viewing the museum through a non-institutional lens impacts our understanding of artefacts, display conditions, and movement through the collection. It questions whether museums, as knowledge producers, are being shaped by the governance and influence of mobile technology. The exhibition examines how Pokémon Go mediates interactive digital spaces onto physical locations, transforming the experience of spectatorship and engagement with post-photographic imaging processes.

For more info please contact peter.e.ainsworth(AT)gmail.com

Artworks in this space:

Artwork title

Bronzong viewed through Pokémon Go's AR mode in room 93, British Museum, 2023

Artist name Peter Ainsworth
Artwork Description:

Object Type
Screen Recording

Museum number
1756,0101.672

Description

Screen recording of Bronzong viewed through Pokémon Go's AR mode in room 93, British Museum, 2023

Curator's comments:

The screen recording was completed as part of research into how the mobile gaming app Pokémon Go augments the experience of lived environments through mobile technology. The performative short film depicts Bronzong viewed through Pokémon Go's AR mode, overlaid onto a live video feed from room 93 of the British Museum. The AR experience is situated in front of objects from the British Museum's Japanese collection, specifically a cabinet containing dōtaku (bronze bells) from the Yayoi Period (200-250 BCE). The aesthetic of the Pokémon Bronzong may be derived from similar dōtaku.

Location
Displayed in the Courtyard of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Pokémon Bronzong

Acquisition Source
Extracted from: Room 93 British Museum and Pokémon Go

Acquisition date
2023

Artwork title

Sirfetch'd viewed through Pokémon Go's AR mode in room 40, British Museum, 2023

Artist name Peter Ainsworth
Artwork Description:

Object Type
Screen Recording

Museum number
1756,0101.673

Description

Screen recording of Sirfetch'd viewed through Pokémon Go's AR mode in room 40, British Museum, 2023

Curator's comments:

The screen recording was completed as part of research into how the mobile gaming app Pokémon Go augments the experience of lived environments through mobile technology. The performative short film depicts Sirfetch'd viewed through Pokémon Go's AR mode, overlaid onto a live video feed from room 50 of the British Museum. The AR experience is situated in front of a cabinet exploring the concept of knighthood in medieval Europe. Objects such as The Shield of Parade (c. 1470), depicting a knight kneeling before a lady, are visible. The Pokémon Sirfetch'd is from the Galar region, which is based on the cultural context of the UK.

Location
Displayed in the Courtyard of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Pokémon Whiscash

Acquisition Source
Extracted from: Room 40 British Museum and Pokémon Go

Acquisition date
2023

Artwork title

Information Panel. Courtyard: Introduction

Open PDF Viewer
Artwork title

Information Panel. Courtyard: Links to Crystal Palace

Open PDF Viewer
Artwork title

Information Panel. Courtyard: Augmented Spaces of Pokemon Go

Open PDF Viewer
Artwork title

Information Panel. Courtyard. Pokemon Design

Open PDF Viewer
Artwork title

Information Panel. Courtyard: Museum and Pokestops

Open PDF Viewer
Artwork title

Museum of Computational Image Artefacts (MoCIA): Courtyard Map

Museum of Computational Image Artefacts (MoCIA): Courtyard Map
Artwork title

Welcome to the Courtyard of the Museum of Computational Image Artefacts (MoCIA).

Artwork Description:

Welcome to the Courtyard of the Museum of Computational Image Artefacts (MoCIA). This space hosts a special exhibition focusing on the mobile game Pokémon Go, particularly its Augmented Reality function as utilised in the context of the museum. The exhibition showcases practice-based research exploring the influence of viewing the museum through a lens other than that dictated by the institution. It questions whether museums, as knowledge producers, are subsumed by the engagement with computational interfaces through the computational image functionality of mobile technology

Link to Walkthrough Film. Post-Photographic Museum: Courtyard
Artwork title

3D scan of Pokémon Raid group, Kings Cross, 2023

Artist name Peter Ainsworth
Artwork Description:

Object Type
3D Photogrammetry

Museum number
1756,0101.673

Description

3D scan of Pokémon Raid group, Kings Cross

Curator's comments:

The scan was completed as part of research into how the mobile gaming app Pokémon Go augments the experience of lived environments through mobile technology. The scan depicts groups of players performing raids during meetings of the central London raid group in and around King's Cross station. Niantic describes Raid Battles as occurring "when a Boss Pokémon takes over a Gym." The goal for players is to group together "to defeat this powerful Pokémon." The consequence of this action is that "you’ll be rewarded with special items and a chance at catching that Pokémon." The scan was created using the mobile app Scaniverse. To maintain anonymity, the heads of the players have been deliberately removed.

Location
Displayed in the Courtyard of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Pokémon Raid group

Acquisition Source
Extracted from: Kings Cross

Acquisition date
2023

Artwork title

3D scan of Pokémon Raid group, Kings Cross, 2023

Artist name Peter Ainsworth
Artwork Description:

Object Type
3D Photogrammetry

Museum number
1756,0101.673

Description

3D scan of Pokémon Raid group, Kings Cross

Curator's comments:

The scan was completed as part of research into how the mobile gaming app Pokémon Go augments the experience of lived environments through mobile technology. The scan depicts groups of players performing raids during meetings of the central London raid group in and around King's Cross station. Niantic describes Raid Battles as occurring "when a Boss Pokémon takes over a Gym." The goal for players is to group together "to defeat this powerful Pokémon." The consequence of this action is that "you’ll be rewarded with special items and a chance at catching that Pokémon." The scan was created using the mobile app Scaniverse. To maintain anonymity, the heads of the players have been deliberately removed.

Location
Displayed in the Courtyard of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Pokémon Raid group

Acquisition Source
Extracted from: Kings Cross

Acquisition date
2023

Artwork title

3D scan of Pokémon Raid group, Kings Cross, 2023

Artist name Peter Ainsworth
Artwork Description:

Object Type
3D Photogrammetry

Museum number
1756,0101.673

Description

3D scan of Pokémon Raid group, Kings Cross

Curator's comments:

The scan was completed as part of research into how the mobile gaming app Pokémon Go augments the experience of lived environments through mobile technology. The scan depicts groups of players performing raids during meetings of the central London raid group in and around King's Cross station. Niantic describes Raid Battles as occurring "when a Boss Pokémon takes over a Gym." The goal for players is to group together "to defeat this powerful Pokémon." The consequence of this action is that "you’ll be rewarded with special items and a chance at catching that Pokémon." The scan was created using the mobile app Scaniverse. To maintain anonymity, the heads of the players have been deliberately removed.

Location
Displayed in the Courtyard of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Pokémon Raid group

Acquisition Source
Extracted from: Kings Cross

Acquisition date
2023

Artwork title

3D scan of Pokémon Raid group, Kings Cross, 2023

Artist name Peter Ainsworth
Artwork Description:

Object Type
3D Photogrammetry

Museum number
1756,0101.673

Description

3D scan of Pokémon Raid group, Kings Cross

Curator's comments:

The scan was completed as part of research into how the mobile gaming app Pokémon Go augments the experience of lived environments through mobile technology. The scan depicts groups of players performing raids during meetings of the central London raid group in and around King's Cross station. Niantic describes Raid Battles as occurring "when a Boss Pokémon takes over a Gym." The goal for players is to group together "to defeat this powerful Pokémon." The consequence of this action is that "you’ll be rewarded with special items and a chance at catching that Pokémon." The scan was created using the mobile app Scaniverse. To maintain anonymity, the heads of the players have been deliberately removed.

Location
Displayed in the Courtyard of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Pokémon Raid group

Acquisition Source
Extracted from: Kings Cross

Acquisition date
2023

Artwork title

3D scan of Pokémon Raid group, Kings Cross, 2023

Artist name Peter Ainsworth
Artwork Description:

Object Type
3D Photogrammetry

Museum number
1756,0101.673

Description

3D scan of Pokémon Raid group, Kings Cross

Curator's comments:

The scan was completed as part of research into how the mobile gaming app Pokémon Go augments the experience of lived environments through mobile technology. The scan depicts groups of players performing raids during meetings of the central London raid group in and around King's Cross station. Niantic describes Raid Battles as occurring "when a Boss Pokémon takes over a Gym." The goal for players is to group together "to defeat this powerful Pokémon." The consequence of this action is that "you’ll be rewarded with special items and a chance at catching that Pokémon." The scan was created using the mobile app Scaniverse. To maintain anonymity, the heads of the players have been deliberately removed.

Location
Displayed in the Courtyard of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Pokémon Raid group

Acquisition Source
Extracted from: Kings Cross

Acquisition date
2023

Artwork title

3D scan of Pokémon Raid group, Kings Cross, 2023

Artist name Peter Ainsworth
Artwork Description:

Object Type
3D Photogrammetry

Museum number
1756,0101.673

Description

3D scan of Pokémon Raid group, Kings Cross

Curator's comments:

The scan was completed as part of research into how the mobile gaming app Pokémon Go augments the experience of lived environments through mobile technology. The scan depicts groups of players performing raids during meetings of the central London raid group in and around King's Cross station. Niantic describes Raid Battles as occurring "when a Boss Pokémon takes over a Gym." The goal for players is to group together "to defeat this powerful Pokémon." The consequence of this action is that "you’ll be rewarded with special items and a chance at catching that Pokémon." The scan was created using the mobile app Scaniverse. To maintain anonymity, the heads of the players have been deliberately removed.

Location
Displayed in the Courtyard of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Pokémon Raid group

Acquisition Source
Extracted from: Kings Cross

Acquisition date
2023

Artwork title

3D scan of Pokémon Raid group, Kings Cross, 2023

Artist name Peter Ainsworth
Artwork Description:

Object Type
3D Photogrammetry

Museum number
1756,0101.673

Description

3D scan of Pokémon Raid group, Kings Cross

Curator's comments:

The scan was completed as part of research into how the mobile gaming app Pokémon Go augments the experience of lived environments through mobile technology. The scan depicts groups of players performing raids during meetings of the central London raid group in and around King's Cross station. Niantic describes Raid Battles as occurring "when a Boss Pokémon takes over a Gym." The goal for players is to group together "to defeat this powerful Pokémon." The consequence of this action is that "you’ll be rewarded with special items and a chance at catching that Pokémon." The scan was created using the mobile app Scaniverse. To maintain anonymity, the heads of the players have been deliberately removed.

Location
Displayed in the Courtyard of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Pokémon Raid group

Acquisition Source
Extracted from: Kings Cross

Acquisition date
2023

Artwork title

3D scan of Pokémon Raid group, Kings Cross, 2023

Artist name Peter Ainsworth
Artwork Description:

Object Type
3D Photogrammetry

Museum number
1756,0101.673

Description

3D scan of Pokémon Raid group, Kings Cross

Curator's comments:

The scan was completed as part of research into how the mobile gaming app Pokémon Go augments the experience of lived environments through mobile technology. The scan depicts groups of players performing raids during meetings of the central London raid group in and around King's Cross station. Niantic describes Raid Battles as occurring "when a Boss Pokémon takes over a Gym." The goal for players is to group together "to defeat this powerful Pokémon." The consequence of this action is that "you’ll be rewarded with special items and a chance at catching that Pokémon." The scan was created using the mobile app Scaniverse. To maintain anonymity, the heads of the players have been deliberately removed.

Location
Displayed in the Courtyard of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Pokémon Raid group

Acquisition Source
Extracted from: Kings Cross

Acquisition date
2023

Artwork title

Gyarados viewed through Pokémon Go's AR mode hovering over a bench in room 33, British Museum, 2024

Artist name Peter Ainsworth
Artwork Description:

Object Type
Screen Recording

Museum number
1756,0101.673

Description

Screen recording of Gyarados viewed through Pokémon Go's AR mode in room 33, British Museum, 2024

Curator's comments:

The screen recording was completed as part of research into how the mobile gaming app Pokémon Go augments the experience of lived environments through mobile technology. The performative short film depicts Gyarados viewed through Pokémon Go's AR mode, overlaid onto a live video feed from room 33 of the British Museum. 

Location
Displayed in the Courtyard of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Pokémon Gyarados and Room 33 British Museum

Acquisition Source
Extracted from: Room 33 British Museum and Pokémon Go

Acquisition date
2023

Artwork title

Nosepass viewed through Pokémon Go's AR mode in room 24, British Museum, 2023

Artist name Peter Ainsworth
Artwork Description:

Object Type
Screen Recording

Museum number
1756,0101.673

Description

Screen recording of Nosepass viewed through Pokémon Go's AR mode in room 24, British Museum, 2024

Curator's comments:

The screen recording was completed as part of research into how the mobile gaming app Pokémon Go augments the experience of lived environments through mobile technology. The performative short film depicts Nosepass viewed through Pokémon Go's AR mode, overlaid onto a live video feed from room 24 of the British Museum. The AR experience is situated in front of the Moai Hoa Hakananai'a (c. 1100-1600 CE) originating from Rapa Nui. 

The British Museum states that it recognises the significance of Hoa Hakananai'a  for the Rapanui community today and acknowledges the impact of their removal from the island in 1868. However, it further states that its "presence in London influences public understanding of the history of Rapa Nui, its people's artistic achievements past, present, and future, and the challenges faced by the community today." 

The Pokémon Nosepass is based on the Moai statues of Easter Island, as well as a compass. These references may be based on the expression to "follow one's nose."

Location
Displayed in the Courtyard of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Pokémon Nosepass and Hoa Hakananai'a

Acquisition Source
Extracted from: Room 24 British Museum and Pokémon Go

Acquisition date
2023

Artwork title

Probopass viewed through Pokémon Go's AR mode in room 24, British Museum, 2023

Artist name Peter Ainsworth
Artwork Description:

Object Type
Screen Recording

Museum number
1756,0101.673

Description

Screen recording of Nosepass viewed through Pokémon Go's AR mode in room 24, British Museum, 2024

Curator's comments:

The screen recording was completed as part of research into how the mobile gaming app Pokémon Go augments the experience of lived environments through mobile technology. The performative short film depicts Nosepass viewed through Pokémon Go's AR mode, overlaid onto a live video feed from room 24 of the British Museum. The AR experience is situated in front of the Moai Hoa Hakananai'a (c. 1100-1600 CE) originating from Rapa Nui. 

The British Museum states that it recognises the significance of Hoa Hakananai'a  for the Rapanui community today and acknowledges the impact of their removal from the island in 1868. However, it further states that its "presence in London influences public understanding of the history of Rapa Nui, its people's artistic achievements past, present, and future, and the challenges faced by the community today." 

The Pokémon Probopass appears to be based both on the Moai statues of Easter Island, and Groucho Marx. 

Location
Displayed in the Courtyard of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Pokémon Probopass and Hoa Hakananai'a

Acquisition Source
Extracted from: Room 24 British Museum and Pokémon Go

Acquisition date
2023

Artwork title

Blaziken viewed through Pokémon Go's AR mode in room 27, British Museum, 2023

Artist name Peter Ainsworth
Artwork Description:

Object Type
Screen Recording

Museum number
1756,0101.673

Description

Screen recording of Blaziken  viewed through Pokémon Go's AR mode in room 33, British Museum, 2024

Curator's comments:

The screen-recording was completed as part of research into how the mobile gaming app Pokémon Go augments the experience of lived environments through mobile technology. The performative short film depicts Blaziken viewed through Pokémon Go's AR mode, overlaid onto a live video feed from room 33 of the British Museum. The AR experience is situated in front of 7th or 8th century Chinese 'Painted pottery or tomb Guardian' which stand in display cases.

Blaziken resembles a cockfighting chicken, specifically the Japanese Shamo breed, though its feathery legs are similar to those of a Cochin chicken. Blaziken is anthropomorphized like Horus and Ra, ancient Egyptian deities with falcon heads, and may be inspired by the basan, a fire-breathing chicken from Japanese folklore, or the karura.

Location
Displayed in the Courtyard of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Pokémon Blaziken 

Acquisition Source
Extracted from: Room 33 British Museum and Pokémon Go

Acquisition date
2023

Artwork title

Pyroar viewed through Pokémon Go's AR mode in room 10a, British Museum, 2023

Artist name Peter Ainsworth
Artwork Description:

Object Type
Screen Recording

Museum number
1756,0101.673

Description

Screen recording of Blaziken  viewed through Pokémon Go's AR mode in room 33, British Museum, 2024

Curator's comments:

he screen recording was completed as part of research into how the mobile gaming app Pokémon Go augments the experience of lived environments through mobile technology. The performative short film depicts Pyroar viewed through Pokémon Go's AR mode, overlaid onto a live video feed from room 10a of the British Museum. The AR experience is situated in front of ancient Assyrian gypsum wall panels depicting a lion hunt in relief (645–635 BCE).

Location
Displayed in the Courtyard of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Pokémon Pyroar 

Acquisition Source
Extracted from: Room 10s British Museum and Pokémon Go

Acquisition date
2023

Artwork title

Exploud viewed through Pokémon Go's AR mode in room 27, British Museum, 2023

Artist name Peter Ainsworth
Artwork Description:

Object Type
Screen Recording

Museum number
1756,0101.673

Description

Screen recording of Exploud  viewed through Pokémon Go's AR mode in room 27, British Museum, 2023

Curator's comments:

The screen-recording was completed as part of research into how the mobile gaming app Pokémon Go augments the experience of lived environments through mobile technology. The performative short film depicts Exploud viewed through Pokémon Go's AR mode, overlaid onto a live video feed from room 27 of the British Museum. The AR experience is situated in front of sculptures from the Huastec civilization (c. AD 1200–1521)

Location
Displayed in the Courtyard of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Pokémon Exploud 

Acquisition Source
Extracted from: Room 27 British Museum and Pokémon Go

Acquisition date
2023

Artwork title

Machamp viewed through Pokémon Go's AR mode in room 33, British Museum, 2023

Artist name Peter Ainsworth
Artwork Description:

Object Type
Screen Recording

Museum number
1756,0101.673

Description

Screen recording of Machamp viewed through Pokémon Go's AR mode in room 33, British Museum, 2023

Curator's comments:

The screen recording was completed as part of research into how the mobile gaming app Pokémon Go augments the experience of lived environments through mobile technology. The performative short film depicts Machamp viewed through Pokémon Go's AR mode, overlaid onto a live video feed from room 33 of the British Museum. The AR experience is situated in front of a stone statue of Shiva as Lingodbhava (c. 900 CE), flanked by two Dvarapala made of granite, produced during the Chola dynasty (c. 1100 CE).

The Pokémon Machamp appears to be based on a bodybuilder or wrestler. With its multiple arms and blue skin, it might also be inspired by a Hindu god, such as Lord Shiva or Vishnu.

Location
Displayed in the Courtyard of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Pokémon Machamp

Acquisition Source
Extracted from: Room 33 British Museum and Pokémon Go

Acquisition date
2023

Artwork title

Cofagrigus viewed through Pokémon Go's AR mode in room 63, British Museum, 2023

Artist name Peter Ainsworth
Artwork Description:

Object Type
Screen Recording

Museum number
1756,0101.673

Description

Screen recording of Cofagrigus viewed through Pokémon Go's AR mode in room 63, British Museum, 2023

Curator's comments:

The screen recording was completed as part of research into how the mobile gaming app Pokémon Go augments the experience of lived environments through mobile technology. The performative short film depicts Cofagrigus viewed through Pokémon Go's AR mode, overlaid onto a live video feed from room 63 of the British Museum. The AR experience is situated in front of a display case featuring the gilded cartonnage mummy-case of Henutmehyt, the wooden inner-coffin of Henutmehyt with gilt and glass decoration, and the painted and gilded wooden anthropoid outer-coffin of Henutmehyt (c. 1539–1075 BCE) from Thebes. The Pokémon Cofagrigus appears to be based on ancient Egyptian sarcophagi and funerary items, specifically Tutankhamun's coffins and mask.

Location
Displayed in the Courtyard of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Pokémon Cofagrigus

Acquisition Source
Extracted from: Room 63 British Museum and Pokémon Go

Acquisition date
2023

Artwork title

Mandibuzz viewed through Pokémon Go's AR mode, Natural History Museum, 2023

Artist name Peter Ainsworth
Artwork Description:

Object Type
Screen Recording

Museum number
1756,0101.673

Description
Screen recording of Mandibuzz viewed through Pokémon Go's AR mode, Natural History Museum

Curator's comments:
The screen recording was completed as part of research into how the mobile gaming app Pokémon Go augments the experience of lived environments through mobile technology. The performative short film depicts Mandibuzz viewed through Pokémon Go's AR mode, overlaid onto a live video feed of the Natural History Museum. The AR experience is situated in front of a cabinet containing a historic display of taxidermied raptors, including a stuffed Eurasian Griffon Vulture—a bird similar to the one that inspired the Pokémon Mandibuzz.

Location
Displayed in the Courtyard of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Pokémon Mandibuzz

Acquisition Source
Extracted from: Natural History Museum and Pokémon Go

Acquisition date
2023

Artwork title

Tyrantrum viewed through Pokémon Go's AR mode, Natural History Museum, 2023

Artist name Peter Ainsworth
Artwork Description:

Object Type
Screen Recording

Museum number
1756,0101.673

Description
Screen recording of Tyrantrum viewed through Pokémon Go's AR mode, Natural History Museum

Curator's comments:
The screen recording was completed as part of research into how the mobile gaming app Pokémon Go augments the experience of lived environments through mobile technology. The performative short film depicts Tyrantrum viewed through Pokémon Go's AR mode, overlaid onto a live video feed from the Natural History Museum. The AR experience is situated in front of an exhibit featuring an animatronic Tyrannosaurus rex—a dinosaur similar to the one that inspired the Pokémon Tyrantrum.

Location
Displayed in the Courtyard of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Pokémon Tyrantrum

Acquisition Source
Extracted from: Natural History Museum and Pokémon Go

Acquisition date
2023

Artwork title

Tyranitar viewed through Pokémon Go's AR mode, Natural History Museum, 2023

Artist name Peter Ainsworth
Artwork Description:

Object Type
Screen Recording

Museum number
1756,0101.673

Description
Screen recording of Tyranitar viewed through Pokémon Go's AR mode, Natural History Museum

Curator's comments:
The screen recording was completed as part of research into how the mobile gaming app Pokémon Go augments the experience of lived environments through mobile technology. The performative short film depicts Tyranitar viewed through Pokémon Go's AR mode, overlaid onto a live video feed from the Natural History Museum. The AR experience is situated at the entrance to a dinosaur exhibit. In the background, a skeleton of an Allosaurus from the late Jurassic period (155 – 145 million years ago) is visible. The design of Tyranitar may have drawn inspiration from the Japanese kaiju genre, including Godzilla, as well as certain theropod dinosaurs.

Location
Displayed in the Courtyard of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Pokémon Tyranitar

Acquisition Source
Extracted from: Natural History Museum and Pokémon Go

Acquisition date
2023

Artwork title

Lileep viewed through Pokémon Go's AR mode, Natural History Museum, 2023

Artist name Peter Ainsworth
Artwork Description:

Object Type
Screen Recording

Museum number
1756,0101.673

Description
Screen recording of Lileep  viewed through Pokémon Go's AR mode, Natural History Museum

Curator's comments:
The screen recording was completed as part of research into how the mobile gaming app Pokémon Go augments the experience of lived environments through mobile technology. The performative short film depicts Lileep viewed through Pokémon Go's AR mode, overlaid onto a live video feed from the Natural History Museum. The AR experience is situated in front of a cabinet featuring fossils from the UK, including crinoids—similar to the one that inspired the Pokémon Lileep. The earliest crinoid fossils have been discovered to date back to approximately 485.4 – 477.7 million years ago.

Location
Displayed in the Courtyard of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Pokémon Lileep

Acquisition Source
Extracted from: Natural History Museum and Pokémon Go

Acquisition date
2023

Artwork title

Galvantula viewed through Pokémon Go's AR mode, Natural History Museum, 2023

Artist name Peter Ainsworth
Artwork Description:

Object Type
Screen Recording

Museum number
1756,0101.673

Description
Screen recording of Galvantula viewed through Pokémon Go's AR mode, Natural History Museum

Curator's comments:
The screen recording was completed as part of research into how the mobile gaming app Pokémon Go augments the experience of lived environments through mobile technology. The performative short film depicts Galvantula viewed through Pokémon Go's AR mode, overlaid onto a live video feed from the Creepy Crawlies gallery of the Natural History Museum. The AR experience is situated in front of an exhibit featuring a large-scale photographic image of a jumping spider.  

Location
Displayed in the Courtyard of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Pokémon Galvantula

Acquisition Source
Extracted from: Natural History Museum and Pokémon Go

Acquisition date
2023

Artwork title

Drapion viewed through Pokémon Go's AR mode, Natural History Museum, 2023

Artist name Peter Ainsworth
Artwork Description:

Object Type
Screen Recording

Museum number
1756,0101.673

Description
Screen recording of Drapion viewed through Pokémon Go's AR mode, Natural History Museum

Curator's comments:
The screen recording was completed as part of research into how the mobile gaming app Pokémon Go augments the experience of lived environments through mobile technology. The performative short film depicts Drapion viewed through Pokémon Go's AR mode, overlaid onto a live video feed from the Creepy Crawlies gallery of the Natural History Museum. The AR experience is situated in front of an exhibit featuring an animatronic scorpion.

Location
Displayed in the Courtyard of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Pokémon Drapion

Acquisition Source
Extracted from: Natural History Museum and Pokémon Go

Acquisition date
2023

Artwork title

Aurorus viewed through Pokémon Go's AR mode, Natural History Museum, 2023

Artist name Peter Ainsworth
Artwork Description:

Object Type
Screen Recording

Museum number
1756,0101.673

Description
Screen recording of Aurorus viewed through Pokémon Go's AR mode, Natural History Museum

Curator's comments:
The screen recording was completed as part of research into how the mobile gaming app Pokémon Go augments the experience of lived environments through mobile technology. The performative short film depicts Aurorus viewed through Pokémon Go's AR mode, overlaid onto a live video feed from the dinosaur exhibit at the Natural History Museum. Aurorus' design is inspired by sauropod dinosaurs, particularly the Amargasaurus, known for its distinctive vertebral spines which some palaeontologists speculate may have supported sail-like fins or skin extensions.

Location
Displayed in the Courtyard of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Pokémon Aurorus 

Acquisition Source
Extracted from: Natural History Museum and Pokémon Go

Acquisition date
2023

Artwork title

Fersligstr viewed through Pokémon Go's AR mode, Natural History Museum, 2023

Artist name Peter Ainsworth
Artwork Description:

Object Type
Screen Recording

Museum number
1756,0101.673

Description
Screen recording of Fersligstr viewed through Pokémon Go's AR mode, Natural History Museum

Curator's comments:
The screen recording was completed as part of research into how the mobile gaming app Pokémon Go augments the experience of lived environments through mobile technology. The performative short film depicts Feraligatr viewed through Pokémon Go's AR mode, overlaid onto a live video feed from the Natural History Museum. The AR experience is situated at the entrance to the museum shop. In the background, a model of an ancient crocodile head is visible.

Location
Displayed in the Courtyard of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Pokémon Fersligstr

Acquisition Source
Extracted from: Natural History Museum and Pokémon Go

Acquisition date
2023

Artwork title

Rampardos viewed through Pokémon Go's AR mode, Natural History Museum, 2023

Artist name Peter Ainsworth
Artwork Description:

Object Type
Screen Recording

Museum number
1756,0101.873

Description
Screen recording of Rampardos viewed through Pokémon Go's AR mode, Natural History Museum

Curator's comments:
The screen recording was completed as part of research into how the mobile gaming app Pokémon Go augments the experience of lived environments through mobile technology. The performative short film depicts Croconaw viewed through Pokémon Go's AR mode, overlaid onto a live video feed from the Natural History Museum. The Pokémon Rampardos resembles Pachycephalosaurus a clade of herbivorous ornithischian dinosaurs that lived during the Late Cretaceous period in North America and Asia.

Location
Displayed in the Courtyard of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Pokémon Rampardos 

Acquisition Source
Extracted from: Natural History Museum and Pokémon Go

Acquisition date
2023

Artwork title

Clamperl viewed through Pokémon Go's AR mode, Natural History Museum, 2023

Artist name Peter Ainsworth
Artwork Description:

Object Type
Screen Recording

Museum number
1756,0101.673

Description
Screen recording of Clamperl  viewed through Pokémon Go's AR mode, Natural History Museum

Curator's comments:
The screen recording was completed as part of research into how the mobile gaming app Pokémon Go augments the experience of lived environments through mobile technology. The performative short film depicts Clamperl viewed through Pokémon Go's AR mode, overlaid onto a live video feed from the Natural History Museum. The AR experience is situated in the Lasting Impressions Gallery. The Pokémon is placed in relation to a giant clam (Tridacna gigas) on display.

Location
Displayed in the Courtyard of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Pokémon Clamperl 

Acquisition Source
Extracted from: Natural History Museum and Pokémon Go

Acquisition date
2023

Artwork title

Bastidion viewed through Pokémon Go's AR mode, Natural History Museum, 2023

Artist name Peter Ainsworth
Artwork Description:

Object Type
Screen Recording

Museum number
1756,0101.673

Description
Screen recording of Bastidion viewed through Pokémon Go's AR mode, Natural History Museum

Curator's comments:
The screen recording was completed as part of research into how the mobile gaming app Pokémon Go augments the experience of lived environments through mobile technology. The performative short film depicts Bastiodon viewed through Pokémon Go's AR mode, overlaid onto a live video feed from the Natural History Museum. The AR experience is situated in the From the Beginning Gallery. In the background is a fossil remain of Bradysaurus baini from the Middle Permian Period, 299 to 251 million years ago.

Location
Displayed in the Courtyard of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Pokémon Bastidion

Acquisition Source
Extracted from: Natural History Museum and Pokémon Go

Acquisition date
2023

Artwork title

Shiny Archen viewed through Pokémon Go's AR mode, Natural History Museum, 2023

Artist name Peter Ainsworth
Artwork Description:

Object Type
Screen Recording

Museum number
1756,0101.673

Description
Screen recording of Shiny Archen viewed through Pokémon Go's AR mode, Natural History Museum

Curator's comments:
The screen recording was completed as part of research into how the mobile gaming app Pokémon Go augments the experience of lived environments through mobile technology. The performative short film depicts Archen viewed through Pokémon Go's AR mode, overlaid onto a live video feed from the Natural History Museum. The AR experience is situated in the museum's From the Beginning Gallery. In the background, infographics detailing the emergence of flying reptiles are visible, including a fossil of Archaeopteryx, an animal that inspired the design of Archen.

Location
Displayed in the Courtyard of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Pokémon Fersligstr

Acquisition Source
Extracted from: Natural History Museum and Pokémon Go

Acquisition date
2023

Artwork title

Omanyte viewed through Pokémon Go's AR mode, Natural History Museum, 2023

Artist name Peter Ainsworth
Artwork Description:

Object Type
Screen Recording

Museum number
1756,0101.673

Description
Screen recording of Omanyte viewed through Pokémon Go's AR mode, Natural History Museum

Curator's comments:
The screen recording was completed as part of research into how the mobile gaming app Pokémon Go augments the experience of lived environments through mobile technology. The performative short film depicts Omanyte viewed through Pokémon Go's AR mode, overlaid onto a live video feed from the Natural History Museum. The AR experience is situated in the Lasting Impressions Gallery. The Pokémon is placed in relation to an Ammonite (Asteroceras stellare) from the Early Jurassic, approximately 201.4 million years ago.

Location
Displayed in the Courtyard of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Pokémon Omanyte

Acquisition Source
Extracted from: Natural History Museum and Pokémon Go

Acquisition date
2023

Artwork title

Hypno viewed through Pokémon Go's AR mode in room 93, British Museum, 2023

Artist name Peter Ainsworth
Artwork Description:

Object Type
Screen Recording

Museum number
1756,0101.673

Description

Screen recording of Hypno   viewed through Pokémon Go's AR mode in room 93, British Museum, 2023

Curator's comments:

The screen-recording was completed as part of research into how the mobile gaming app Pokémon Go augments the experience of lived environments through mobile technology. The performative short film depicts Hypno viewed through Pokémon Go's AR mode, overlaid onto a live video feed from room 93 of the British Museum. The AR experience is situated in front of objects from the British Museum's Japanese collection. The Pokémon Hypno appears inspired by a combination of a tapir, a hypnotist, and the baku, a dream-eating spirit from Japanese mythology. 

Location
Displayed in the Courtyard of the PPM. 

Associated names
Representation of: Pokémon Hypno

Acquisition Source
Extracted from: Room 93 British Museum and Pokémon Go

Acquisition date
2023

Artwork title

Drowzee viewed through Pokémon Go's AR mode in room 93, British Museum, 2023

Artist name Peter Ainsworth
Artwork Description:

Object Type
Screen Recording

Museum number
1756,0101.673

Description

Screen recording of Drowzee viewed through Pokémon Go's AR mode in room 93, British Museum, 2023

Curator's comments:

The screen-recording was completed as part of research into how the mobile gaming app Pokémon Go augments the experience of lived environments through mobile technology. The performative short film depicts Hypno viewed through Pokémon Go's AR mode, overlaid onto a live video feed from room 93 of the British Museum. The AR experience is situated in front of a display cabinet containing puppets and masks, used in Bunraku theatre from the British Museum's Japanese collection. The Pokémon Drowzee is based on the Japanese myth of the baku, creatures who eat bad dreams of sleeping people.

Location
Displayed in the Courtyard of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Pokémon Drowzee

Acquisition Source
Extracted from: Room 93 British Museum and Pokémon Go

Acquisition date
2023

Artwork title

Ninetales viewed through Pokémon Go's AR mode in room 93, British Museum, 2023

Artist name Peter Ainsworth
Artwork Description:

Object Type
Screen Recording

Museum number
1756,0101.673

Description

Screen recording of Ninetales viewed through Pokémon Go's AR mode in room 93, British Museum, 2023

Curator's comments:

The screen-recording was completed as part of research into how the mobile gaming app Pokémon Go augments the experience of lived environments through mobile technology. The performative short film depicts Ninetales viewed through Pokémon Go's AR mode, overlaid onto a live video feed from room 93 of the British Museum. The AR experience is situated in front of a glass cabinet containing aet of armour, with two-piece cuirass (nimaido gusoku) and surcoat (jinbaori) bearing the crest of the Mori clan (c. 1700 CE) from the British Museum's Japanese collection. The Pokémon Ninetales may be based the myth of kitsune in Japanese folk legend

Location
Displayed in the Courtyard of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Pokémon Ninetales

Acquisition Source
Extracted from: Room 93 British Museum and Pokémon Go

Acquisition date
2023

Artwork title

Whiscash viewed through Pokémon Go's AR mode in room 93, British Museum, 2023

Artist name Peter Ainsworth
Artwork Description:

Object Type
Screen Recording

Museum number
1756,0101.673

Description

Screen recording of Whiscash viewed through Pokémon Go's AR mode in room 93, British Museum, 2023

Curator's comments:

The screen-recording was completed as part of research into how the mobile gaming app Pokémon Go augments the experience of lived environments through mobile technology. The performative short film depicts Whiscash viewed through Pokémon Go's AR mode, overlaid onto a live video feed from room 93 of the British Museum. The AR experience is situated in front of objects from the British Museum's Japanese collection specifically a cabinet containing an articulated figure (jizai okimono) of a catfish (c. 1701-1850 CE) made by Myochin Munemitsu. The Pokémon Whiscash appears based on Namazu, a catfish in Japanese mythology that causes earthquakes (also note Whiscash's Japanese name "Namazun").

Location
Displayed in the Courtyard of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Pokémon Whiscash

Acquisition Source
Extracted from: Room 93 British Museum and Pokémon Go

Acquisition date
2023

Artwork title

Magmortar viewed through Pokémon Go's AR mode in room 93, British Museum, 2023

Artist name Peter Ainsworth
Artwork Description:

Object Type
Screen Recording

Museum number
1756,0101.673

Description

Screen recording of Hypno   viewed through Pokémon Go's AR mode in room 93, British Museum, 2023

Curator's comments:

The screen recording was completed as part of research into how the mobile gaming app Pokémon Go augments the experience of lived environments through mobile technology. The performative short film depicts Magmortar viewed through Pokémon Go's AR mode, overlaid onto a live video feed from room 93 of the British Museum. The AR experience is situated in front of a cabinet containing a sculpture of Fudo Myo-o, holding a sword upright in his right hand and a rope in his left, with flames rising behind him (c. 1100 CE), and the bodhisattva Monju riding on a lion (1685-1689 CE). The Pokémon Magmortar appears to be inspired by the myth of Karura, a divine creature with a human torso and birdlike head.

Location
Displayed in the Courtyard of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Pokémon Magmortar

Acquisition Source
Extracted from: Room 93 British Museum and Pokémon Go

Acquisition date
2023

Artwork title

Magikarp viewed through Pokémon Go's AR mode in room 93, British Museum, 2023

Artist name Peter Ainsworth
Artwork Description:

Object Type
Screen Recording

Museum number
1756,0101.673

Description

Screen recording of Magikarp viewed through Pokémon Go's AR mode in room 93, British Museum, 2023

Curator's comments:

The screen-recording was completed as part of research into how the mobile gaming app Pokémon Go augments the experience of lived environments through mobile technology. The performative short film depicts Magikarp viewed through Pokémon Go's AR mode, overlaid onto a live video feed from room 93 of the British Museum. The AR experience is situated in front of objects from the British Museum's Japanese collection specifically a cabinet containing an articulated figure (jizai okimono) of a catfish (c. 1701-1850 CE) made by Myochin Munemitsu. The Pokémon Magikarp's evolution into Gyarados is based on a legend about how carp that leaped over the Dragon Gate would become dragons.

Location
Displayed in the Courtyard of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Pokémon Magikarp

Acquisition Source
Extracted from: Room 93 British Museum and Pokémon Go

Acquisition date
2023

Artwork title

Jirachi viewed through Pokémon Go's AR mode in room 92, British Museum, 2023

Artist name Peter Ainsworth
Artwork Description:

Object Type
Screen Recording

Museum number
1756,0101.673

Description

Screen recording of Jirachi  viewed through Pokémon Go's AR mode in room 92, British Museum, 2023

Curator's comments:

The screen recording was completed as part of research into how the mobile gaming app Pokémon Go augments the experience of lived environments through mobile technology. The performative short film depicts Jirachi viewed through Pokémon Go's AR mode, overlaid onto a live video feed from room 93 of the British Museum. The AR experience is situated in front of objects from the British Museum's Japanese collection, specifically a Kudara Kannon created by Niiro Chunosuke in the early 20th century as a replica of a 7th-century statue (known as the Kudara Kannon) in Horyu-ji temple, Nara. Jirachi is considered a wish Pokémon. The tags on Jirachi's head resemble tanzaku, strips of paper on which wishes are written during the Japanese festival Tanabata, also known as the Star Festival.

Location
Displayed in the Courtyard of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Pokémon Jirachi 

Acquisition Source
Extracted from: Room 92 British Museum and Pokémon Go

Acquisition date
2023

Artwork title

Mawile viewed through Pokémon Go's AR mode in room 93, British Museum, 2023

Artist name Peter Ainsworth
Artwork Description:

Object Type
Screen Recording

Museum number
1756,0101.673

Description

Screen recording of Whiscash viewed through Pokémon Go's AR mode in room 93, British Museum, 2023

Curator's comments:

The screen-recording was completed as part of research into how the mobile gaming app Pokémon Go augments the experience of lived environments through mobile technology. The performative short film depicts Mawile viewed through Pokémon Go's AR mode, overlaid onto a live video feed from room 92 of the British Museum. The Pokémon Mawile may have been based on the Japanese legend of the futakuchi-onna, a woman with a mouth in the back of her head.

Location
Displayed in the Courtyard of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Pokémon Mawile 

Acquisition Source
Extracted from: Room 92 British Museum and Pokémon Go

Acquisition date
2023

Artwork title

Duskull viewed through Pokémon Go's AR mode in room 93, British Museum, 2023

Artist name Peter Ainsworth
Artwork Description:

Object Type
Screen Recording

Museum number
1756,0101.673

Description

Screen recording of Duskull viewed through Pokémon Go's AR mode in room 93, British Museum, 2023

Curator's comments:

The screen-recording was completed as part of research into how the mobile gaming app Pokémon Go augments the experience of lived environments through mobile technology. The performative short film depicts Duskull viewed through Pokémon Go's AR mode, overlaid onto a live video feed from room 93 of the British Museum. The AR experience is situated in front of objects from the British Museum's Japanese collection. The Pokémon Duskull appears Duskull may be based on the Namahage or a Hitodama.

Location
Displayed in the Courtyard of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Pokémon Duskull

Acquisition Source
Extracted from: Room 93 British Museum and Pokémon Go

Acquisition date
2023

Artwork title

Runerigus viewed through Pokémon Go's AR mode in room 50, British Museum, 2023

Artist name Peter Ainsworth
Artwork Description:

Object Type
Screen Recording

Museum number
1756,0101.673

Description

Screen recording of Runerigus viewed through Pokémon Go's AR mode in room 50, British Museum, 2023

Curator's comments:

The screen recording was completed as part of research into how the mobile gaming app Pokémon Go augments the experience of lived environments through mobile technology. The performative short film depicts Runerigus viewed through Pokémon Go's AR mode, overlaid onto a live video feed from room 50 of the British Museum. The AR experience is situated in front of a cabinet containing burial artefacts, such as the Gold torc from the Snettisham hoard (75 BCE). The Pokémon Runerigus appears to be based on European stone carvings, such as the Lingsberg Runestone in Sweden, known as U 240 (c. 950–1100 CE).

Location
Displayed in the Courtyard of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Pokémon Whiscash

Acquisition Source
Extracted from: Room 50 British Museum and Pokémon Go

Acquisition date
2023

Artwork title

Skwovet viewed through Pokémon Go's AR mode, British Museum, 2023

Artist name Peter Ainsworth
Artwork Description:

Object Type
Screen Recording

Museum number
1756,0101.673

Description
Screen recording of Skwovet viewed through Pokémon Go's AR mode, British Museum, 2023

Curator's comments:
The screen recording was completed as part of research into how the mobile gaming app Pokémon Go augments the experience of lived environments through mobile technology. The performative short film depicts Skwovet viewed through Pokémon Go's AR mode, overlaid onto a live video feed from the exterior of the British Museum. The squirrel Pokémon Skwovet is from the Galar Region, which is modeled upon the cultural context of the UK. 

Location
Displayed in the Courtyard of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Pokémon Skwovet

Acquisition Source
Extracted from: British Museum and Pokémon Go

Acquisition date
2023

Artwork title

Pidove viewed through Pokémon Go's AR mode, British Museum, 2023

Artist name Peter Ainsworth
Artwork Description:

Object Type
Screen Recording

Museum number
1756,0101.673

Description
Screen recording of Pidove viewed through Pokémon Go's AR mode, British Museum, 2023

Curator's comments:
The screen recording was completed as part of research into how the mobile gaming app Pokémon Go augments the experience of lived environments through mobile technology. The performative short film depicts Pidove viewed through Pokémon Go's AR mode, overlaid onto a live video feed from the exterior of the British Museum. The Pokémon Pidove is modeled on the common pigeon—a bird synonymous with London and the exterior of the British Museum.

Location
Displayed in the Courtyard of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Pokémon Skwovet

Acquisition Source
Extracted from: British Museum and Pokémon Go

Acquisition date
2023

Artwork title

Obstagoon viewed through Pokémon Go's AR mode, British Museum, 2023

Artist name Peter Ainsworth
Artwork Description:

Object Type
Screen Recording

Museum number
1756,0101.673

Description
Screen recording of Obstagoon viewed through Pokémon Go's AR mode, British Museum, 2023

Curator's comments:
The screen recording was completed as part of research into how the mobile gaming app Pokémon Go augments the experience of lived environments through mobile technology. The performative short film depicts Obstagoon viewed through Pokémon Go's AR mode, overlaid onto a live video feed from the exterior of the British Museum. The Pokémon Obstagoon is from the Galar Region, which is modeled upon the cultural context of the UK. Obstagoon has a generic punk aesthetic but also appears to reference the band Kiss, particularly Gene Simmons.

Location
Displayed in the Courtyard of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Pokémon Obstagoon

Acquisition Source
Extracted from: British Museum and Pokémon Go

Acquisition date
2023

Artwork title

Mr.Rime viewed through Pokémon Go's AR mode on Great Russell Street outside the British Museum, 2023

Artist name Peter Ainsworth
Artwork Description:

Object Type
Screen Recording

Museum number
1756,0101.673

Description

Mr.Rime viewed through Pokémon Go's AR mode on Great Russell Street outside the British Museum, 2023

Curator's comments:

The screen recording was completed as part of research into how the mobile gaming app Pokémon Go augments the experience of lived environments through mobile technology. The performative short film depicts Mr. Rime viewed through Pokémon Go's AR mode, overlaid onto a live video feed from Great Russell Street outside the British Museum. The AR experience is situated in front of a stereotypical object from London's past: a red phone box. The Pokémon Mr. Rime appears to be based on Charlie Chaplin's character from The Tramp (1915 CE).

Location
Displayed in the Courtyard of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Pokémon Mr.Rime

Acquisition Source
Extracted from: Great Russell Street and Pokémon Go

Acquisition date
2023

Artwork title

Perrserker viewed through Pokémon Go's AR mode in room 41, British Museum, 2023

Artist name Peter Ainsworth
Artwork Description:

Object Type
Screen Recording

Museum number
1756,0101.673

Description

Screen recording of Perrserker viewed through Pokémon Go's AR mode in room 41, British Museum, 2023

Curator's comments:

The screen recording was completed as part of research into how the mobile gaming app Pokémon Go augments the experience of lived environments through mobile technology. The performative short film depicts Perrserker viewed through Pokémon Go's AR mode, overlaid onto a live video feed from room 41 of the British Museum. The AR experience is situated in front of a cabinet containing artifacts from the Anglo-Saxon ship burial at Sutton Hoo. The Pokémon Perrserker appears to be based on a cat and the concept of the Viking Berserker.

Location
Displayed in the Courtyard of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Pokémon Purrserker

Acquisition Source
Extracted from: Room 41 British Museum and Pokémon Go

Acquisition date
2023

Artwork title

Museum Visitors Exiting the Building, 2024

Artist name Peter Ainsworth
Artwork Description:

Object Type
3D LiDAR video

Museum number
1756,0101.669

Description
LiDAR video of visitors entering the Great Hall of the British Museum, London

Curator's comments:

Screen recording made in the blank software interface of the app "Record 3D"

Location
Displayed in the Courtyard of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Museum Visitors

Acquisition Source
Extracted from: Great Court British Museum

Acquisition date
2024

Artwork title

Museum Visitors Exiting the Building, 2024

Artist name Peter Ainsworth
Artwork Description:

Object Type
3D LiDAR video

Museum number
1756,0101.669

Description
LiDAR video of visitors entering the Great Hall of the British Museum, London

Curator's comments:

Screen recording made in the blank software interface of the app "Record 3D"

Location
Displayed in the Courtyard of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Museum Visitors

Acquisition Source
Extracted from: Great Court British Museum

Acquisition date
2024

Artwork title

Museum Visitors Exiting the Building, 2024

Artist name Peter Ainsworth
Artwork Description:

Object Type
3D LiDAR video

Museum number
1756,0101.669

Description
LiDAR video of visitors entering the Great Hall of the British Museum, London

Curator's comments:

Screen recording made in the blank software interface of the app "Record 3D"

Location
Displayed in the Courtyard of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Museum Visitors

Acquisition Source
Extracted from: Great Court British Museum

Acquisition date
2024

Artwork title

Museum Visitors Exiting the Building, 2024

Artist name Peter Ainsworth
Artwork Description:

Object Type
3D LiDAR video

Museum number
1756,0101.669

Description
LiDAR video of visitors entering the Great Hall of the British Museum, London

Curator's comments:

Screen recording made in the blank software interface of the app "Record 3D"

Location
Displayed in the Courtyard of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Museum Visitors

Acquisition Source
Extracted from: Great Court British Museum

Acquisition date
2024

Artwork title

Museum Visitors Exiting the Building, 2024

Artist name Peter Ainsworth
Artwork Description:

Object Type
3D LiDAR video

Museum number
1756,0101.669

Description
LiDAR video of visitors entering the Great Hall of the British Museum, London

Curator's comments:

Screen recording made in the blank software interface of the app "Record 3D"

Location
Displayed in the Courtyard of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Museum Visitors

Acquisition Source
Extracted from: Great Court British Museum

Acquisition date
2024

Artwork title

Museum Visitors Exiting the Building, 2024

Artist name Peter Ainsworth
Artwork Description:

Object Type
3D LiDAR video

Museum number
1756,0101.669

Description
LiDAR video of visitors entering the Great Hall of the British Museum, London

Curator's comments:

Screen recording made in the blank software interface of the app "Record 3D"

Location
Displayed in the Courtyard of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Museum Visitors

Acquisition Source
Extracted from: Great Court British Museum

Acquisition date
2024

Artwork title

Museum Visitors Exiting the Building, 2024

Artist name Peter Ainsworth
Artwork Description:

Object Type
3D LiDAR video

Museum number
1756,0101.671

Description
LiDAR video of visitors entering the Great Hall of the British Museum, London

Curator's comments:

Screen recording made in the blank software interface of the app "Record 3D"

Location
Displayed in the Courtyard of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Museum Visitors

Acquisition Source
Extracted from: Great Court British Museum

Acquisition date
2024

Artwork title

Museum Visitors Exiting the Building, 2024

Artist name Peter Ainsworth
Artwork Description:

Object Type
3D LiDAR video

Museum number
1756,0101.671

Description
LiDAR video of visitors entering the Great Hall of the British Museum, London

Curator's comments:

Screen recording made in the blank software interface of the app "Record 3D"

Location
Displayed in the Entrance Hall  of the PPM. 

Associated names
Representation of: Museum Visitors

Acquisition Source
Extracted from: Great Court British Museum

Acquisition date
2024

Artwork title

Museum Visitors Exiting the Building, 2024

Artist name Peter Ainsworth
Artwork Description:

Object Type
3D LiDAR video

Museum number
1756,0101.671

Description
LiDAR video of visitors entering the Great Hall of the British Museum, London

Curator's comments:

Screen recording made in the blank software interface of the app "Record 3D"

Location
Displayed in the Courtyard of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Museum Visitors

Acquisition Source
Extracted from: Great Court British Museum

Acquisition date
2024

Artwork title

Museum Visitors Exiting the Building, 2024

Artist name Peter Ainsworth
Artwork Description:

Object Type
3D LiDAR video

Museum number
1756,0101.671

Description
LiDAR video of visitors entering the Great Hall of the British Museum, London

Curator's comments:

Screen recording made in the blank software interface of the app "Record 3D"

Location
Displayed in the Courtyard of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Museum Visitors

Acquisition Source
Extracted from: Great Court British Museum

Acquisition date
2024

Artwork title

Pokémon: Zapdos, 2022

Artist name Peter Ainsworth
Artwork Description:

Object Type
Photogrammetric Scan

Museum number
1756,0101.657

Description
3D scan of Zapdos Model

Curator's comments:

Photogrammetric scan of Pokemon Zapdos, Bandai Spirits Pokemon Model Kit through Scaniverse mobile app. 

Location
Displayed in the Courtyard of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Zapdos

Acquisition Source
Extracted from: Amazon

Acquisition date
2022

Artwork title

Pokémon: Articuno, 2022

Artist name Peter Ainsworth
Artwork Description:

Object Type
Photogrammetric Scan

Museum number
1756,0101.657

Description
3D scan of Articuno Model

Curator's comments:

Photogrammetric scan of Pokemon Articuno, Bandai Spirits Pokemon Model Kit through Scaniverse mobile app. 

Location
Displayed in the Courtyard of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of:  Articuno

Acquisition Source
Extracted from: Amazon

Acquisition date
2022

Artwork title

The remains of Crystal Palace at Sydenham, 2023

Artist name Peter Ainsworth
Artwork Description:

Object Type
3D Photogrammetry and LiDAR

Museum number
1756,0101.001

Description

Photogrammetry and LiDAR scan

Curator's comments:

LiDAR and 3D photogrammetric scan of remains of Crystal Palace at Sydenham.

Location
Displayed in the Courtyard of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of:  the remains of Crystal Palace at Sydenham

Acquisition Source
Extracted from: the remains of Crystal Palace at Sydenham

Acquisition date
2023


Artwork title

Screen Recording of Pokémon Go Scan PokéStop prompt: Scan Youth on Horseback, 2022

Artist name Peter Ainsworth
Artwork Description:

Object Type
Screen Recording 

Museum number
1756,0101.673

Description

Screen recoding of Pokémon Go gameplay

Curator's comments:
The screen recording documents the live feed of the scanning process initiated as part of Pokémon Go gameplay. The image input data is transferred to Niantic in exchange for an in-game item.


Location
Displayed in the Courtyard of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Statue of a youth on horseback

Acquisition Source
Extracted from: Great Court. British Museum

Acquisition date
2022

Artwork title

Screen Recording of Data Upload from Pokémon Go Scan PokéStop Prompt: Scan Youth on Horseback, 2022

Artist name Peter Ainsworth
Artwork Description:

Object Type
Screen Recording 

Museum number
1756,0101.673

Description

Screen recoding of Pokémon Go

Curator's comments:
The screen recording documents the live feed of the upload process of scan data to Niantic. The scan consists of over 500 image points, sufficient to create a detailed 3D scan recording of the space. With new types of 3D imaging processing, such as Gaussian Splatting combined with AI image recognition, minimal input data is required to create detailed images of PokéStops and their environs from this input data.

Location
Displayed in the Courtyard of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Statue of a youth on horseback

Acquisition Source
Extracted from: Great Court. British Museum

Acquisition date
2022

Artwork title

Assemblage of British Museum Entrance Hall and the remains of Crystal Palace at Sydenham, 2023

Artist name Peter Ainsworth
Artwork Description:

Object Type
3D Photogrammetry and LiDAR

Museum number
1756,0101.001

Description

Photogrammetry and LiDAR scan

Curator's comments:

LiDAR and 3D photogrammetric scan of multiple parts of  remains of Crystal Palace at Sydenham and a section of the Great Hall, British Museum.

Location
Displayed in the Courtyard of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: British Museum Entrance Hall and the remains of Crystal Palace at Sydenham

Acquisition Source
Extracted from: British Museum Entrance Hall and the remains of Crystal Palace at Sydenham

Acquisition date
2023


Artwork title

Statue of a youth on horseback, (c. 37-41 CE), 2022

Artist name Peter Ainsworth
Artwork Description:

Object Type
Photogrammetric 3D scan 

Museum number
1756,0101.673

Description

Photogrammetric 3D scan of a youth on horseback

Curator's comments:

The 3D scan was completed as part of research into how the mobile gaming app Pokémon Go augments the experience of lived environments through mobile technology. The scan was created using Niantic's mobile app Scaniverse and features the Statue of a Youth on Horseback. This sculpture in the British Museum is a PokéStop in Pokémon Go. PokéStops appear in the Map View of the game and represent real-world landmarks such as historical markers, monuments, art installations, churches, and other types of location. They are created through user interaction via what Niantic call Wayfaring, with many significant sites added soon after the game's launch in 2016. Much of Pokémon Go's functionality is derived from  Ingress, another augmented reality (AR) mobile game developed and published by Niantic. The data collected by users to map spaces in Ingress was used to enhance the world created in Pokémon Go.

Location
Displayed in the Courtyard of the Museum of Computational Image Artefacts (MoCIA). 
Associated names
Representation of: Statue of a youth on horseback

Acquisition Source
Extracted from: Great Court. British Museum

Acquisition date
2022

Artwork title

Pokémon: Charizard, 2022

Artist name Peter Ainsworth
Artwork Description:

Object Type
Photogrammetric Scan

Museum number
1756,0101.657

Description
3D scan of Charizard Model

Curator's comments:

Photogrammetric scan of Pokemon Charizard, Bandai Spirits Pokemon Model Kit through Scaniverse mobile app. 

Location
Displayed in the Courtyard of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Charizard

Acquisition Source
Extracted from: Amazon

Acquisition date
2022

Artwork title

Pokémon: Gyarados, 2022

Artist name Peter Ainsworth
Artwork Description:

Object Type
Photogrammetric Scan

Museum number
1756,0101.657

Description
3D scan of Gyarados Model

Curator's comments:

Photogrammetric scan of Pokemon Gyarados, Bandai Spirits Pokemon Model Kit through Scaniverse mobile app. 

Location
Displayed in the Courtyard of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Gyarados

Acquisition Source
Extracted from: Amazon

Acquisition date
2022

Artwork title

Pokémon: Moltres, 2022

Artist name Peter Ainsworth
Artwork Description:

Object Type
Photogrammetric Scan

Museum number
1756,0101.657

Description
3D scan of Moltres Model

Curator's comments:

Photogrammetric scan of Pokemon Moltres, Bandai Spirits Pokemon Model Kit through Scaniverse mobile app. 

Location
Displayed in the Courtyard of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Moltres

Acquisition Source
Extracted from: Amazon

Acquisition date
2022

Artwork title

Pokémon: Rayquaza, 2022

Artist name Peter Ainsworth
Artwork Description:

Object Type
Photogrammetric Scan

Museum number
1756,0101.657

Description
3D scan of Rayquaza Model

Curator's comments:

Photogrammetric scan of Pokemon Rayquaza, Bandai Spirits Pokemon Model Kit through Scaniverse mobile app. 

Location
Displayed in the Courtyard of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Rayquaza

Acquisition Source
Extracted from: Amazon

Acquisition date
2022

Artwork title

Pokémon: Lugia, 2022

Artist name Peter Ainsworth
Artwork Description:

Object Type
Photogrammetric Scan

Museum number
1756,0101.657

Description
3D scan of Lugia Model

Curator's comments:

Photogrammetric scan of Pokemon Lugia, Bandai Spirits Pokemon Model Kit through Scaniverse mobile app. 

Location
Displayed in the Courtyard of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Lugia

Acquisition Source
Extracted from: Amazon

Acquisition date
2022

Artwork title

Pokémon: Pidgeotto, 2022

Artist name Peter Ainsworth
Artwork Description:

Object Type
Photogrammetric Scan

Museum number
1756,0101.657

Description
3D scan of  Pidgeotto Model

Curator's comments:

Photogrammetric scan of Pokemon  Pidgeotto, Bandai Spirits Pokemon Model Kit through Scaniverse mobile app. 

Location
Displayed in the Courtyard of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of:  Pidgeotto

Acquisition Source
Extracted from: Amazon

Acquisition date
2022