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Catalog view is the alternative 2D representation of our 3D virtual art space. This page is friendly to assistive technologies and does not include decorative elements used in the 3D gallery.

Space Title

MoCIA: Viewing and Reading Room

Within the World Titled Museum of Computational Image Artefacts
Credited to Peter Ainsworth
Opening date September 2nd, 2024
View 3D Gallery
Main image for MoCIA: Viewing and Reading Room

Statement:

Welcome to the Viewing and Reading room of the Museum of Computational Image Artefacts (MoCIA). Here, you can watch walkthrough videos of each exhibition space of the museum and browse a selected library of references that have informed the evolution, strategies, and conceptual foundations of this project. If you’re lucky, you’ll find the link portal to the Experiential Futures room, hidden somewhere in this space.

For more info please contact peter.e.ainsworth(AT)gmail.com

Artworks in this space:

Artwork title

Map Dispenser, Great Court, British Museum, 2018

Artist name Peter Ainsworth
Artwork Description:

Artwork Description:
Object Type
Video

Museum number
1756,0101.673

Description

Visitor, Maps, Great Court, British Museum

Curator's comments:

The film was completed as part of research into how the museum controls the circulation of visitors through systems of display and the infrastructure of the space.

Location
Displayed in the Viewing and Reading Room of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Visitor taking maps from map dispenser

Acquisition Source
Extracted from: Room 70. British Museum

Acquisition date
2018

Artwork title

Museum of Computational Image Artefacts (MoCIA):Viewing and Reading Room Map

Museum of Computational Image Artefacts (MoCIA):Viewing and Reading Room Map
Artwork title

Screen Recording of the Scanning Process: The Holy Thorn Reliquary (c. 1400), Room 2b, British Museum, 2018

Artist name Peter Ainsworth
Artwork Description:

Artwork Description:
Object Type. 
Screen Recording

Museum number
1756,0101.673

Description

Screen Recording of the Scanning Process of mobile app Trnio.

Curator's comments:

The screen recording was completed as part of research into how the museum controls the circulation of visitors through systems of display and the infrastructure of the space, and how this is changed through the act of scanning. The film captures the software interface during the scanning process.

Location
Displayed in the Viewing and Reading Room of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Holy Thorn Reliquary

Acquisition Source
Extracted from: Room 02b. British Museum

Acquisition date
2018

Artwork title

The Perfect Spectator.

Artist name Wesseling, Janneke. 2017.
Becoming Entangled: Practice in Art and Theory
The Perfect Spectator.
Artwork title

Viewing Zone. The Volumetric Image, Spatial Knowledge and Collaborative Practice

Artist name Schroeter, Jens. 2018.
Viewing Zone. The Volumetric Image, Spatial Knowledge and Collaborative Practice
Viewing Zone. The Volumetric Image, Spatial Knowledge and Collaborative Practice
Artwork title

Ripping reality: Blind spots and wrecked data in 3D

Duty Free Art
Ripping reality: Blind spots and wrecked data in 3D
Artwork title

The Algorithmic Turn: Photosynth, Augmented Reality and the Changing Implications of the Image.

Artist name Uricchio, William. 2011.
“The Algorithmic Turn: Photosynth, Augmented Reality and the Changing Imp
The Algorithmic Turn: Photosynth, Augmented Reality and the Changing Implications of the Image.
Artwork title

The mummy and the medical gaze: digital visualisations in the British Museum’s exhibition Ancient lives, new discoveries

Artist name Wagner, Karin. 2016
The mummy and the medical gaze: digital visualisations in the British Museum’s exhibition Ancient l
The mummy and the medical gaze: digital visualisations in the British Museum’s exhibition Ancient lives, new discoveries
Artwork title

Mining the Museum.

Artist name Wilson, Fred,1994.
Mining the Museum.
 Mining the Museum.
Artwork title

Mengeles Skull. The Advent Of A Forensic Aesthetics.

Artist name Weizman, Eyal. 2012.
Mengeles Skull. The Advent Of A Forensic Aesthetics.
Mengeles Skull. The Advent Of A Forensic Aesthetics.
Artwork title

The 3D Additivist Cookbook. Amsterdam: Institute of Network Cultures.

Artist name Rourke, Daniel and Allahyari, Morehshin. 2017.
The 3D Additivist Cookbook. Amsterdam: Institute of Network Cultures.
The 3D Additivist Cookbook. Amsterdam: Institute of Network Cultures.
Artwork title

Unwrapping Ancient Egypt.

Artist name Riggs, Christina. 2014.
Reframing Antiquity: Egyptology's Colonial Legacy and Future Paths
Unwrapping Ancient Egypt.
Artwork title

Invisible Images: Your Pictures Are Looking at You.

Artist name Paglen, Trevor. 2019
Artwork Description:

Paglen, Trevor. 2019. “Invisible Images: Your Pictures Are Looking at You.” Archit. Design 89 (1): 22–27.

Invisible Images: Your Pictures Are Looking at You.
Invisible Images: Your Pictures Are Looking at You.
Artwork title

Digital Ethnography

Artist name Pink, Sarah. (ED) 2018.
Digital Ethnography
 Digital Ethnography
Artwork title

Brutalisme

Artist name Mbembe, Achille. 2024.
Brutalisme
Brutalisme
Artwork title

A Geology of Media.

Artist name Parikka, Jussi. 2015.
A Geology of Media.
A Geology of Media.
Artwork title

Dispersion.

Artist name Price, Seth. 2008
Dispersion.
Dispersion.
Artwork title

White Cube / Black Box: The Universal Museum and the Digital Age, a Virtual Symposium for Rayyane Tabet / Alien Property

White Cube / Black Box: The Universal Museum and the Digital Age, a Virtual Symposium.
White Cube / Black Box: The Universal Museum and the Digital Age, a Virtual Symposium for Rayyane Tabet / Alien Property
Artwork title

The Restitution of African Cultural Heritage. Toward a New Relational Ethics

Artist name Sarr, Felwine and Savoy, Bénédicte. 2018.
The Restitution of African Cultural Heritage. Toward a New Relational Ethics
 The Restitution of African Cultural Heritage. Toward a New Relational Ethics
Artwork title

Response to the 2018 Sarr-Savoy Report

Artist name Pavis, Mathilde and Wallace, Andrea. 2019.
Response to the 2018 Sarr-Savoy Report
Response to the 2018 Sarr-Savoy Report
Artwork title

A.I. and the Future of the Lens & Screen Arts

Artist name Manovich, Lev. 2023.
A.I. and the Future of the Lens & Screen Arts
A.I. and the Future of the Lens & Screen Arts
Artwork title

The Second Digital Turn.

Artist name Carpo, Mario. 2017.
Carpo, Mario. 2017. The Second Digital Turn. MIT Press.
The Second Digital Turn.
Artwork title

Raw Histories.

Artist name Edwards, Elizabeth. 2001.
Raw Histories.
Raw Histories.
Artwork title

You Are Not A Gadget.

Artist name Lanier, Jaron. 2011.
You Are Not A Gadget.
You Are Not A Gadget.
Artwork title

The Violence Of Civilization Without Secrets.

Artist name Khalil, Adam, and Zack. 2017.
The Violence Of Civilization Without Secrets.
The Violence Of Civilization Without Secrets.
Artwork title

Unthought. The Power of the Cognitive Nonconscious

Artist name Hayles, N. Katherine. 2016.
Unthought. The Power of the Cognitive Nonconscious
Unthought. The Power of the Cognitive Nonconscious
Artwork title

Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective.

Artist name Haraway, Donna. 1988.
Artwork Description:

Haraway, Donna. 1988. “Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective.” Feminist Studies 14 (3): 575.

Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective.
Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective.
Artwork title

Towards a Philosophy of Photography.

Artist name Flusser, Vilém. 2000
Towards a Philosophy of Photography.
Towards a Philosophy of Photography.
Artwork title

What Algorithms Want.

Artist name Finn, Ed. 2017
What Algorithms Want.
What Algorithms Want.
Artwork title

The Brutish Museums: The Benin Bronzes, Colonial Violence and Cultural Restitution.

Artist name Hicks, Dan. 2020
The Brutish Museums: The Benin Bronzes, Colonial Violence and Cultural Restitution.
The Brutish Museums: The Benin Bronzes, Colonial Violence and Cultural Restitution.
Artwork title

The Metabolic Museum.

Artist name Deliss, Clémentine. 2020.
The Metabolic Museum.
The Metabolic Museum.
Artwork title

Techniques of the Observer.

Artist name Crary, Jonathan. 1992
Crary, Jonathan. 1992. Techniques of the Observer. MIT Press.
Techniques of the Observer.
Artwork title

Museum Realisms

Artist name Clifford, James. 2019.
Museum Realisms
Museum Realisms
Artwork title

Torture and the Ethics of Photography

Artist name Butler, Judith. 2007.
Artwork Description:

Butler, Judith. 2007. “Torture and the Ethics of Photography.” Environ Plan D 25 (6): 951–66.

Torture and the Ethics of Photography
Torture and the Ethics of Photography
Artwork title

Protecting Indigenous Cultural Property in the Age of Digital Democracy: Institutional and Communal Responses to Canadian First Nations and Māori Heritage Concerns.

Artist name Brown, Deidre, and George Nicholas. 2012.
Artwork Description:

Brown, Deidre, and George Nicholas. 2012. “Protecting Indigenous Cultural Property in the Age of Digital Democracy: Institutional and Communal Responses to Canadian First Nations and Māori Heritage Concerns.” Journal of Material Culture 17 (3): 307–24.

https://www.academia.edu/1934127/Protecting_indigenous_cultural_property_in_the_age_of_digital_democracy_Institutional_and_communal_responses_to_Canadian_First_Nations_and_Maori_heritage_concerns_Brown_Nicholas_

Traditional Identity: the Commodification of New Zealand Maori Imagery
Protecting Indigenous Cultural Property in the Age of Digital Democracy: Institutional and Communal Responses to Canadian First Nations and Māori Heritage Concerns.
Artwork title

New Dark Age: Technology and the End of the Future.

Artist name Bridle, James. 2018.
New Dark Age: Technology and the End of the Future.
 New Dark Age: Technology and the End of the Future.
Artwork title

The Black Technical Object. MIT Press

Artist name Amaro, Ramon. 2023.
The Black Technical Object
The Black Technical Object. MIT Press
Artwork title

Potential History. Unlearning Imperialism. Verso.

Artist name Azoulay, Ariella. 2019.
Unlearning Imperialism
Potential History. Unlearning Imperialism. Verso.
Artwork title

Diasporic Objects

Artist name Basu, Paul. 2019
Diasporic Objects
Diasporic Objects
Artwork title

Museums, Governance, and the Politics of Truth

Artist name Bennett,Tony. 2024.
Museums, Governance, and the Politics of Truth
Museums, Governance, and the Politics of Truth
Artwork title

Coming of Age in Second Life.

Artist name Boellstorff, Tom. 2015
Coming of Age in Second Life
 Coming of Age in Second Life.
Artwork title

Reality Media: Augmented and Virtual Reality.

Artist name Bolter, Jay. 2021.
Reality Media: Augmented and Virtual Reality.
 Reality Media: Augmented and Virtual Reality.
Artwork title

A Thousand Years of Nonlinear History.

Artist name DeLanda, Manuel. 2000.
A Thousand Years of Nonlinear History.
A Thousand Years of Nonlinear History.
Artwork title

Post-Photographic Presences, or How to Wear a Digital Cloak.

Artist name Geismar, Haidy.
Artwork Description:

Geismar, Haidy. 2015. “Post-Photographic Presences, or How to Wear a Digital Cloak.” Photographies 8 (3): 305–21.

Post-Photographic Presences, or How to Wear a Digital Cloak.
Post-Photographic Presences, or How to Wear a Digital Cloak.
Artwork title

The Age of Surveillance Capitalism.

Artist name Zuboff, Shoshana. 2019.
The Age of Surveillance Capitalism.
The Age of Surveillance Capitalism.
Artwork title

A Thousand Plateaus.

Artist name Deleuze, Gilles and Guattari, Felix 2013.
A Thousand Plateaus.
 A Thousand Plateaus.
Artwork title

The Aura in the Age of Digital Materiality.

Artist name Lowe, Adam (Ed). 2020.
The Aura in the Age of Digital Materiality.
The Aura in the Age of Digital Materiality.
Artwork title

Discipline and Punish: The Birth of the Prison.

Artist name Foucault, Michel. 1995
Discipline and Punish: The Birth of the Prison.
Discipline and Punish: The Birth of the Prison.
Artwork title

The Digital Factory: The Human Labor of Automation. University of Chicago Press.

Artist name Altenried, Moritz. 2022.
The Digital Factory: The Human Labor of Automation
The Digital Factory: The Human Labor of Automation. University of Chicago Press.
Artwork title

The Other Nefertiti

Artist name Al-Badri, Nora. 2016.
The Other Nefertiti
The Other Nefertiti
Artwork title

Assemblage of British Museum, Grenville Room, Room 2, and 2a, 2024

Artist name Peter Ainsworth
Artwork Description:

Object Type
3D Photogrammetry and LiDAR

Museum number
1756,0101.001

Description

Photogrammetry and LiDAR scan

Curator's comments:

LiDAR and 3D photogrammetric scan of multiple parts of the British Museum, the Grenville Room, Room 2, and 2a.

Location
Displayed in the Viewing and Reading Room of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: British Museum

Acquisition Source
Extracted from: British Museum

Acquisition date
2024


Artwork title

Pyramid shaped orange polenta cake, British Museum, 2024

Artist name Peter Ainsworth
Artwork Description:

Object Type
Photogrammetric 3D scan 

Museum number
1756,0101.601

Description

Photogrammetric 3D scan of pyramid shaped orange polenta cake, British Museum, created using Scaniverse mobile app. 

Location
Displayed in the Viewing and Reading Room of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: orange polenta cake

Acquisition Source
Extracted from: Great Court. British Museum

Acquisition date
2024

Artwork title

Chatsworth Head (c. 460 BCE), Room 72, British Museum, 2018

Artist name Peter Ainsworth
Artwork Description:

Object Type
Photogrammetric 3D scan 

Museum number
1756,0101.601

Description

Photogrammetric 3D scan of Chatsworth Head (c. 460 BCE), Room 72, British Museum


Curator's comments:

The scan was completed as part of research into how the museum controls the circulation of visitors through systems of display and the infrastructure of the space. Photogrammetry Scan created with Scaniverse mobile app. 

Location
Displayed in the Viewing and Reading Room of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of:  Apollo 

Acquisition Source
Extracted from: Room 72, British Museum

Acquisition date
2018

Artwork title

Replica of Ife Head (c. 1400-1500 CE), Grenville Room, British Museum, 2018

Artist name Peter Ainsworth
Artwork Description:

Object Type
Video

Museum number
1756,0101.601

Description
Video of Replica of Ife Head displayed in the British Museum shop

Curator's comments:

The scan was completed as part of research into the 'Collecting and Empire Trail' at the British Museum. The replica of the Ife Head is cast and hand-finished in resin and is described as 'a fascinating and majestic home ornament celebrating African art.'

Location
Displayed in the Viewing and Reading Room of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of:  the Ooni, or king, of the Yoruba Peoples of Ife

Acquisition Source
Extracted from: Grenville Room, British Museum

Acquisition date
2018

Artwork title

Shop, Grenville Room, British Museum, 2018

Artist name Peter Ainsworth
Artwork Description:

Object Type
Video

Museum number
1756,0101.601

Description
Video documentation of museum shop

Curator's comments:

The video was completed as part of research into the 'Collecting and Empire Trail' at the British Museum. The film depicts a view of the British Museum shop, particularly focusing on scaled, high-quality replicas of museum artefacts.

Location
Displayed in the Viewing and Reading Room of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Museum shop

Acquisition Source
Extracted from: Grenville Room, British Museum

Acquisition date
2018

Artwork title

Chatsworth Head (c. 460 BCE), Room 72, British Museum, 2018

Artwork Description:

Object Type
Video

Museum number
1756,0101.601

Description
Video

Curator's comments:

The film was completed as part of research into how the museum controls the circulation of visitors through systems of display and the infrastructure of the space. The film was completed as part of research into how the museum controls the circulation of visitors through systems of display and the infrastructure of the space. The replica of the head is depicted in the museum shop. It is a scale Jesmonite model of the bronze sculpture housed in Room 72 of the British Museum.

Location
Displayed in the Viewing and Reading Room of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Apollo 

Acquisition Source
Extracted from: Room 72, British Museum

Acquisition date
2018

Artwork title

Replica of Chatsworth Head (c. 460 BCE), Grenville Room, British Museum, 2018

Artist name Peter Ainsworth
Artwork Description:

Object Type
Video

Museum number
1756,0101.601

Description
Video

Curator's comments:

The film was completed as part of research into how the museum controls the circulation of visitors through systems of display and the infrastructure of the space. The replica of the head is depicted in the museum shop. It is a scale jesmonite model of the bronze sculpture housed in room 72 of the British Museum. 

Location
Displayed in the Viewing and Reading Room of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of:  Apollo 

Acquisition Source
Extracted from: Grenville Room, British Museum

Acquisition date
2018

Artwork title

Anubis Standing Ornament Sales Display (c. 1400-1500 CE), Grenville Room, British Museum, 2018

Artist name Peter Ainsworth
Artwork Description:

Object Type
Video

Museum number
1756,0101.601

Description

Rotational video documentation of 3D scan of Replica of Anubis Standing Ornament Sales Display in the Great Court shop, British Museum 

Curator's comments:

The scan was completed as part of research into the 'Collecting and Empire Trail' at the British Museum. The replica of Anubis (c. 713–332 BCE) is a 'beautifully detailed statue made in Egypt from resin' and described as a 'handsome gift celebrating ancient Egyptian culture.' The work was created using the mobile app Trnio, which has a function to export rotational videos of the scans created.

Location
Displayed in the Viewing and Reading Room of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of:  Anubis

Acquisition Source
Extracted from: Grenville Room, British Museum

Acquisition date
2018

Artwork title

Museum Visitors Exiting the Building, 2024

Artist name Peter Ainsworth
Artwork Description:

Object Type
3D LiDAR video

Museum number
1756,0101.670

Description
LiDAR video of visitors entering the Great Hall of the British Museum, London

Curator's comments:

Screen recording made in the blank software interface of the app "Record 3D"

Location
Displayed in the Viewing and Reading Room of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Museum Visitors

Acquisition Source
Extracted from: Great Court British Museum

Acquisition date
2024

Artwork title

Museum Visitors Exiting the Building, 2024

Artist name Peter Ainsworth
Artwork Description:

Object Type
3D LiDAR video

Museum number
1756,0101.670

Description
LiDAR video of visitors entering the Great Hall of the British Museum, London

Curator's comments:

Screen recording made in the blank software interface of the app "Record 3D"

Location
Displayed in the Viewing and Reading Room of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Museum Visitors

Acquisition Source
Extracted from: Great Court British Museum

Acquisition date
2024

Artwork title

Three tier blueberry muffin display, Great Court, British Museum, 2018

Artist name Peter Ainsworth
Artwork Description:

Object Type
Photogrammetric 3D scan 

Museum number
1756,0101.601

Description

Photogrammetric 3D scan of a three tier blueberry muffin display, British Museum, created using Trnio+ mobile app. 

Location
Displayed in the Viewing and Reading Room of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Three tier blueberry muffin display

Acquisition Source
Extracted from: Great Court. British Museum

Acquisition date
2018

Artwork title

Replica of Ife Head (c. 1400-1500 CE), Grenville Room, British Museum, 2018

Artist name Peter Ainsworth
Artwork Description:

Object Type
Video

Museum number
1756,0101.601

Description

Rotational video documentation of 3D scan of Replica of Ife Head displayed in the British Museum shop

Curator's comments:

The scan was completed as part of research into the 'Collecting and Empire Trail' at the British Museum. The replica of the Ife Head is cast and hand-finished in resin and is described as 'a fascinating and majestic home ornament celebrating African art.' The work was created using the mobile app Trnio, which has a function to export rotational videos of the scans created. 

Location
Displayed in the Viewing and Reading Room of the Museum of Computational Image Artefacts (MoCIA).  

Associated names
Representation of:  the Ooni, or king, of the Yoruba Peoples of Ife

Acquisition Source
Extracted from: Grenville Room, British Museum

Acquisition date
2018

Artwork title

Horse of Selene Replica ( 438-432 BCE) and other items Grenville Room, British Museum, 2018

Artist name Peter Ainsworth
Artwork Description:

Object Type
Video

Museum number
1756,0101.601

Description

Rotational video documentation of 3D scan of Replica of Horse of Selene Replica ( 438-432 BCE) displayed in the British Museum shop

Curator's comments:

The scan was completed as part of research into the 'Collecting and Empire Trail' at the British Museum. The replica of the Horse of Selene ( 438-432 BCE)  is cast and hand-finished in resin from a mould taken from the original and is described as a 'show-stopping point of focus in any home.' The work was created using the mobile app Trnio, which has a function to export rotational videos of the scans created. 

Location
Displayed in the Viewing and Reading Room of the Museum of Computational Image Artefacts (MoCIA).  

Associated names
Representation of:  Horse of Selene from the east pediment of the Parthenon

Acquisition Source
Extracted from: Grenville Room, British Museum

Acquisition date
2018

Artwork title

Documentation Museum of Computational Image Artefacts (MoCIA): Mineral Gallery, 2024

Artist name Peter Ainsworth
Artwork Description:

Object Type
Screen Recording

Museum number
1756,0101.673

Description

Screen recording performance in the Museum of Computational Image Artefacts (MoCIA). , New Art City

Curator's comments:

This screen recording documents edited highlights from a performative action in which the researcher navigates the MoCIA. This act was completed as part of research into ideas surrounding remote access to collections, particularly where 3D technologies are linked with both the context of display and the home. In this instance, the researcher virtually walks through the Mineral Gallery of the MoCIA. The video is complete with an AI voice generated audio guide which is broadcast throughout the MoCIA space.

Location
Displayed in the Viewing and Reading Room of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Museum of Computational Image Artefacts (MoCIA): Mineral Room

Acquisition Source
Extracted from: New Art City

Acquisition date
2024

Artwork title

Documentation of the Museum of Computational Image Artefacts (MoCIA): Courtyard, 2024

Artist name Peter Ainsworth
Artwork Description:

Object Type
Screen Recording

Museum number
1756,0101.673

Description

Screen recording performance in the Museum of Computational Image Artefacts (MoCIA), New Art City

Curator's comments:

This screen recording documents edited highlights from a performative action in which the researcher navigates MoCIA. This act was completed as part of research into ideas surrounding remote access to collections, particularly where 3D technologies are linked with both the context of display and the home. In this instance, the researcher virtually walks through the Courtyard of MoCIA. The video is complete with an AI voice generated audio guide which is broadcast throughout MoCIA.

Location
Displayed in the Viewing and Reading Room of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Museum of Computational Image Artefacts (MoCIA): Courtyard

Acquisition Source
Extracted from: New Art City

Acquisition date
2024

Artwork title

Documentation of the Museum of Computational Image Artefacts (MoCIA): Remote Access Gallery, 2024

Artist name Peter Ainsworth
Artwork Description:

Object Type
Screen Recording

Museum number
1756,0101.673

Description

Screen recording performance in the Museum of Computational Image Artefacts (MoCIA), New Art City

Curator's comments:

This screen recording documents edited highlights from a performative action in which the researcher navigates the MoCIA. This act was completed as part of research into ideas surrounding remote access to collections, particularly where 3D technologies are linked with both the context of display and the home. In this instance, the researcher virtually walks through the Remote Access Gallery of the MoCIA. The video is complete with an AI voice generated audio guide which is broadcast throughout the MoCIA space.

Location
Displayed in the Viewing and Reading Room of the PPM. 

Associated names
Representation of: Museum of Computational Image Artefacts (MoCIA): Remote Access Gallery

Acquisition Source
Extracted from: New Art City

Acquisition date
2024

Artwork title

Documentation of the Museum of Computational Image Artefacts (MoCIA): Docile Bodies Room, 2024

Artist name Peter Ainsworth
Artwork Description:

Object Type
Screen Recording

Museum number
1756,0101.673

Description

Screen recording performance in the Museum of Computational Image Artefacts (MoCIA), New Art City

Curator's comments:

This screen recording documents edited highlights from a performative action in which the researcher navigates the MoCIA. This act was completed as part of research into ideas surrounding remote access to collections, particularly where 3D technologies are linked with both the context of display and the home. In this instance, the researcher virtually walks through the Docile Bodies Room of the MoCIA. The video is complete with an AI voice generated audio guide which is broadcast throughout the MoCIA space.

Location
Displayed in the Viewing and Reading Room of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Museum of Computational Image Artefacts (MoCIA): Docile Bodies Room

Acquisition Source
Extracted from: New Art City

Acquisition date
2024

Artwork title

Documentation of the Museum of Computational Image Artefacts (MoCIA): Enlightenment Gallery, 2024

Artist name Peter Ainsworth
Artwork Description:

Object Type
Screen Recording

Museum number
1756,0101.673

Description

Screen recording performance in the Museum of Computational Image Artefacts (MoCIA), New Art City

Curator's comments:

This screen recording documents edited highlights from a performative action in which the researcher navigates the MoCIA. This act was completed as part of research into ideas surrounding remote access to collections, particularly where 3D technologies are linked with both the context of display and the home. In this instance, the researcher virtually walks through the Enlightenment Gallery of the MoCIA. The video is complete with an AI voice generated audio guide which is broadcast throughout the MoCIA space.

Location
Displayed in the Viewing and Reading Room of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of:Museum of Computational Image Artefacts (MoCIA): Enlightenment Gallery

Acquisition Source
Extracted from: New Art City

Acquisition date
2024

Artwork title

Documentation of the Museum of Computational Image Artefacts (MoCIA): Entrance Hall, 2024

Artist name Peter Ainsworth
Artwork Description:

Object Type
Screen Recording

Museum number
1756,0101.673

Description

Screen recording performance in the Museum of Computational Image Artefacts (MoCIA), New Art City

Curator's comments:

This screen recording documents edited highlights from a performative action in which the researcher navigates the MoCIA. This act was completed as part of research into ideas surrounding remote access to collections, particularly where 3D technologies are linked with both the context of display and the home. In this instance, the researcher virtually walks through the Entrance Gallery of the MoCIA. The video is complete with an AI voice generated audio guide which is broadcast throughout the MoCIA space.

Location
Displayed in the Viewing and Reading Room of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Museum of Computational Image Artefacts (MoCIA): Entrance Hall

Acquisition Source
Extracted from: New Art City

Acquisition date
2024

Artwork title

Thematic Sales Display : History of the World. Great Court, British Museum, 2018

Artist name Peter Ainsworth
Artwork Description:

Artwork Description:
Object Type
3D Scan

Museum number
1756,0101.601

Description

3D scan of Thematic Sales Display : History of the World in the Great Court shop, British Museum 

Curator's comments:

The scan was completed as part of research into the 'Collecting and Empire Trail' at the British Museum. The curated sales display includes books about the history of the world and maps. The work was created using the mobile app Trnio.

Location
Displayed in the Viewing and Reading Room of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of:  Bookcase

Acquisition Source
Extracted from: Grenville Room, British Museum

Acquisition date
2018

Artwork title

Horse of Selene Replica ( 438-432 BCE) and other items Grenville Room, British Museum, 2018

Artist name Peter Ainsworth
Artwork Description:

Object Type
3D Scan

Museum number
1756,0101.601

Description

3D scan of Replica of Horse of Selene Replica ( 438-432 BCE) displayed in the British Museum shop

Curator's comments:

The scan was completed as part of research into the 'Collecting and Empire Trail' at the British Museum. The replica of the Horse of Selene ( 438-432 BCE)  is cast and hand-finished in resin from a mould taken from the original and is described as a 'show-stopping point of focus in any home.' The work was created using the mobile app Trnio, which has a function to export rotational videos of the scans created. 

Location
Displayed in the Viewing and Reading Room of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of:  Horse of Selene from the east pediment of the Parthenon

Acquisition Source
Extracted from: Grenville Room, British Museum

Acquisition date
2018

Artwork title

Anubis Standing Ornament Sales Display (c. 1400-1500 BCE), Grenville Room, British Museum, 2018

Artist name Peter Ainsworth
Artwork Description:

Object Type
3D Scan

Museum number
1756,0101.601

Description

3D scan of Replica of Anubis Standing Ornament Sales Display in the Great Court shop, British Museum 

Curator's comments:

The scan was completed as part of research into the 'Collecting and Empire Trail' at the British Museum. The replica of Anubis (c. 713–332 BCE) is a 'beautifully detailed statue made in Egypt from resin' and described as a 'handsome gift celebrating ancient Egyptian culture.' The work was created using the mobile app Trnio, which has a function to export rotational videos of the scans created.

Location
Displayed in the Viewing and Reading Room of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of:  Anubis

Acquisition Source
Extracted from: Grenville Room, British Museum

Acquisition date
2018

Artwork title

Pokémon: Blaziken, 2022

Artist name Peter Ainsworth
Artwork Description:

Object Type
Photogrammetric Scan

Museum number
1756,0101.657

Description
3D scan of Blaziken Model

Curator's comments:

Photogrammetric scan of Pokemon Blaziken, Bandai Spirits Pokemon Model Kit through Scaniverse mobile app. 

Location
Displayed in the Viewing and Reading Room of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: Blaziken

Acquisition Source
Extracted from: Amazon

Acquisition date
2022

Artwork title

Replica of Ife Head (c. 1400-1500 CE), Grenville Room, British Museum, 2018

Artist name Peter Ainsworth
Artwork Description:

Object Type
3D scan

Museum number
1756,0101.601

Description
 3D scan depicting a replica of Ife Head displayed in the British Museum shop

Curator's comments:

The scan was completed as part of research into the 'Collecting and Empire Trail' at the British Museum. The replica of the Ife Head is cast and hand-finished in resin and is described as 'a fascinating and majestic home ornament celebrating African art.'

Location
Displayed in the Viewing and Reading Room of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: the Ooni, or king, of the Yoruba Peoples of Ife

Acquisition Source
Extracted from: Grenville Room, British Museum

Acquisition date
2018

Artwork title

Assemblage of British Museum, Grenville Room and Room 2a, 2024

Artist name Peter Ainsworth
Artwork Description:

Object Type
3D Photogrammetry and LiDAR

Museum number
1756,0101.001

Description

Photogrammetry and LiDAR scan

Curator's comments:

LiDAR and 3D photogrammetric scan of multiple parts of the British Museum, the Grenville Room and Room 2a.

Location
Displayed in the Viewing and Reading Room of the Museum of Computational Image Artefacts (MoCIA). 

Associated names
Representation of: British Museum

Acquisition Source
Extracted from: British Museum

Acquisition date
2024