MA Textiles Room 4

Loofah Denim offers a sustainable way to process cellulose that promotes a soil-to-soil design strategy.  Inspired by the traditional method of Washi paper and paper clothing from Japan, my goal to is create a woven textile which is 100% bio compostable and at least 90% sustainable during its full life cycle.

Website: https://roypalash8.wixsite.com/palashroy
Instagram: https://www.instagram.com/palash_roy/
Linkedin: https://www.linkedin.com/in/palash-roy-812031147/

Loofah Denim offers a sustainable way to process cellulose that promotes a soil-to-soil design strategy.  Inspired by the traditional method of Washi paper and paper clothing from Japan, my goal to is create a woven textile which is 100% bio compostable and at least 90% sustainable during its full life cycle.

Website: https://roypalash8.wixsite.com/palashroy
Instagram: https://www.instagram.com/palash_roy/
Linkedin: https://www.linkedin.com/in/palash-roy-812031147/

Loofah Denim offers a sustainable way to process cellulose that promotes a soil-to-soil design strategy.  Inspired by the traditional method of Washi paper and paper clothing from Japan, my goal to is create a woven textile which is 100% bio compostable and at least 90% sustainable during its full life cycle.

Website: https://roypalash8.wixsite.com/palashroy
Instagram: https://www.instagram.com/palash_roy/
Linkedin: https://www.linkedin.com/in/palash-roy-812031147/

Loofah Denim offers a sustainable way to process cellulose that promotes a soil-to-soil design strategy.  Inspired by the traditional method of Washi paper and paper clothing from Japan, my goal to is create a woven textile which is 100% bio compostable and at least 90% sustainable during its full life cycle.

Website: https://roypalash8.wixsite.com/palashroy
Instagram: https://www.instagram.com/palash_roy/
Linkedin: https://www.linkedin.com/in/palash-roy-812031147/

Loofah Denim offers a sustainable way to process cellulose that promotes a soil-to-soil design strategy.  Inspired by the traditional method of Washi paper and paper clothing from Japan, my goal to is create a woven textile which is 100% bio compostable and at least 90% sustainable during its full life cycle.

Website: https://roypalash8.wixsite.com/palashroy
Instagram: https://www.instagram.com/palash_roy/
Linkedin: https://www.linkedin.com/in/palash-roy-812031147/

We live in a society of convenience. Disposable products are full of our life, while people enjoy the convenience they bring, they also consume the carrying capacity of environment and resources. At present, circular economy also needs to adapt to the fast pace of society, which requires looking for new materials and recycling methods. We should stop thinking of waste as' waste 'and instead think of waste as' material'.

Disposable is about the possibility of using biological materials to replace disposable products and participate in the rapid sustainable circular economy, creating bio-fabrics where the recycling rate of products matches the recycling rate of social discard.

Mingsheng Ni is a Sustainable Textile and Fashion Designer. With 2 years’ experience of circular design and biomaterials, her works are all focusing on the substitutes of current petroleum base materials, trying to alleviate the environmental impact caused by human activities.

Ins: @mingsheng.ni

We live in a society of convenience. Disposable products are full of our life, while people enjoy the convenience they bring, they also consume the carrying capacity of environment and resources. At present, circular economy also needs to adapt to the fast pace of society, which requires looking for new materials and recycling methods. We should stop thinking of waste as' waste 'and instead think of waste as' material'.

Disposable is about the possibility of using biological materials to replace disposable products and participate in the rapid sustainable circular economy, creating bio-fabrics where the recycling rate of products matches the recycling rate of social discard.

Mingsheng Ni is a Sustainable Textile and Fashion Designer. With 2 years’ experience of circular design and biomaterials, her works are all focusing on the substitutes of current petroleum base materials, trying to alleviate the environmental impact caused by human activities.

Ins: @mingsheng.ni

We live in a society of convenience. Disposable products are full of our life, while people enjoy the convenience they bring, they also consume the carrying capacity of environment and resources. At present, circular economy also needs to adapt to the fast pace of society, which requires looking for new materials and recycling methods. We should stop thinking of waste as' waste 'and instead think of waste as' material'.

Disposable is about the possibility of using biological materials to replace disposable products and participate in the rapid sustainable circular economy, creating bio-fabrics where the recycling rate of products matches the recycling rate of social discard.

Mingsheng Ni is a Sustainable Textile and Fashion Designer. With 2 years’ experience of circular design and biomaterials, her works are all focusing on the substitutes of current petroleum base materials, trying to alleviate the environmental impact caused by human activities.

Ins: @mingsheng.ni

We live in a society of convenience. Disposable products are full of our life, while people enjoy the convenience they bring, they also consume the carrying capacity of environment and resources. At present, circular economy also needs to adapt to the fast pace of society, which requires looking for new materials and recycling methods. We should stop thinking of waste as' waste 'and instead think of waste as' material'.

Disposable is about the possibility of using biological materials to replace disposable products and participate in the rapid sustainable circular economy, creating bio-fabrics where the recycling rate of products matches the recycling rate of social discard.

Mingsheng Ni is a Sustainable Textile and Fashion Designer. With 2 years’ experience of circular design and biomaterials, her works are all focusing on the substitutes of current petroleum base materials, trying to alleviate the environmental impact caused by human activities.

Ins: @mingsheng.ni

We live in a society of convenience. Disposable products are full of our life, while people enjoy the convenience they bring, they also consume the carrying capacity of environment and resources. At present, circular economy also needs to adapt to the fast pace of society, which requires looking for new materials and recycling methods. We should stop thinking of waste as' waste 'and instead think of waste as' material'.

Disposable is about the possibility of using biological materials to replace disposable products and participate in the rapid sustainable circular economy, creating bio-fabrics where the recycling rate of products matches the recycling rate of social discard.

Mingsheng Ni is a Sustainable Textile and Fashion Designer. With 2 years’ experience of circular design and biomaterials, her works are all focusing on the substitutes of current petroleum base materials, trying to alleviate the environmental impact caused by human activities.

Ins: @mingsheng.ni

We live in a society of convenience. Disposable products are full of our life, while people enjoy the convenience they bring, they also consume the carrying capacity of environment and resources. At present, circular economy also needs to adapt to the fast pace of society, which requires looking for new materials and recycling methods. We should stop thinking of waste as' waste 'and instead think of waste as' material'.

Disposable is about the possibility of using biological materials to replace disposable products and participate in the rapid sustainable circular economy, creating bio-fabrics where the recycling rate of products matches the recycling rate of social discard.

Mingsheng Ni is a Sustainable Textile and Fashion Designer. With 2 years’ experience of circular design and biomaterials, her works are all focusing on the substitutes of current petroleum base materials, trying to alleviate the environmental impact caused by human activities.

Ins: @mingsheng.ni

Examining issues surrounding contemporary consumer culture, (Pro)Found Matter is constructed from salvaged garments discarded in an urban environment, alongside cherished personal belongings. Using a foraging approach of exploration, observation and collection, (Pro)Found Matter is a series of digitally printed textile designs using pre-owned fabric that attempts to provoke thought about what constitutes material value today.

Robert Stammers is a London based designer with a background in fashion, trend and product direction. His multi-disciplinary practice incorporates photography, digital art and textile design. Intrigued by discarded matter found in the environment, he explores the ideas of value, consumerism, and obsolescence. 

www.byraas.co.uk (website)
@robaastam (instagram)

Examining issues surrounding contemporary consumer culture, (Pro)Found Matter is constructed from salvaged garments discarded in an urban environment, alongside cherished personal belongings. Using a foraging approach of exploration, observation and collection, (Pro)Found Matter is a series of digitally printed textile designs using pre-owned fabric that attempts to provoke thought about what constitutes material value today.

Robert Stammers is a London based designer with a background in fashion, trend and product direction. His multi-disciplinary practice incorporates photography, digital art and textile design. Intrigued by discarded matter found in the environment, he explores the ideas of value, consumerism, and obsolescence. 

www.byraas.co.uk (website)
@robaastam (instagram)

Examining issues surrounding contemporary consumer culture, (Pro)Found Matter is constructed from salvaged garments discarded in an urban environment, alongside cherished personal belongings. Using a foraging approach of exploration, observation and collection, (Pro)Found Matter is a series of digitally printed textile designs using pre-owned fabric that attempts to provoke thought about what constitutes material value today.

Robert Stammers is a London based designer with a background in fashion, trend and product direction. His multi-disciplinary practice incorporates photography, digital art and textile design. Intrigued by discarded matter found in the environment, he explores the ideas of value, consumerism, and obsolescence. 

www.byraas.co.uk (website)
@robaastam (instagram)

Examining issues surrounding contemporary consumer culture, (Pro)Found Matter is constructed from salvaged garments discarded in an urban environment, alongside cherished personal belongings. Using a foraging approach of exploration, observation and collection, (Pro)Found Matter is a series of digitally printed textile designs using pre-owned fabric that attempts to provoke thought about what constitutes material value today.

Robert Stammers is a London based designer with a background in fashion, trend and product direction. His multi-disciplinary practice incorporates photography, digital art and textile design. Intrigued by discarded matter found in the environment, he explores the ideas of value, consumerism, and obsolescence. 

www.byraas.co.uk (website)
@robaastam (instagram)

Reinventing Repair aims to highlight the potential of waste material and minimise consumption by using worn-out clothing and mending techniques to tell stories of garments and their wearers.  I have developed an understanding of why people keep damaged garments and what repair means to them.

I am a London based Textile Design student focused on clothing repair and reworking as a way of minimising textile waste and clothing consumption. I work primarily with hand stitching techniques such as embroidery and darning, and utilise damaged clothing, vintage yarns and threads with the aim of demonstrating a more sustainable approach to fashion by keeping our clothes in circulation for longer.

Instagram - @katienolantextiles @darn_design

Reinventing Repair aims to highlight the potential of waste material and minimise consumption by using worn-out clothing and mending techniques to tell stories of garments and their wearers.  I have developed an understanding of why people keep damaged garments and what repair means to them.

I am a London based Textile Design student focused on clothing repair and reworking as a way of minimising textile waste and clothing consumption. I work primarily with hand stitching techniques such as embroidery and darning, and utilise damaged clothing, vintage yarns and threads with the aim of demonstrating a more sustainable approach to fashion by keeping our clothes in circulation for longer.

Instagram - @katienolantextiles @darn_design

Reinventing Repair aims to highlight the potential of waste material and minimise consumption by using worn-out clothing and mending techniques to tell stories of garments and their wearers.  I have developed an understanding of why people keep damaged garments and what repair means to them.

I am a London based Textile Design student focused on clothing repair and reworking as a way of minimising textile waste and clothing consumption. I work primarily with hand stitching techniques such as embroidery and darning, and utilise damaged clothing, vintage yarns and threads with the aim of demonstrating a more sustainable approach to fashion by keeping our clothes in circulation for longer.

Instagram - @katienolantextiles @darn_design

Reinventing Repair aims to highlight the potential of waste material and minimise consumption by using worn-out clothing and mending techniques to tell stories of garments and their wearers.  I have developed an understanding of why people keep damaged garments and what repair means to them.

I am a London based Textile Design student focused on clothing repair and reworking as a way of minimising textile waste and clothing consumption. I work primarily with hand stitching techniques such as embroidery and darning, and utilise damaged clothing, vintage yarns and threads with the aim of demonstrating a more sustainable approach to fashion by keeping our clothes in circulation for longer.

Instagram - @katienolantextiles @darn_design

Zigzag Forward and Overlap Together embraces a slow approach to material culture that reflects my Swedish and Jamaican heritage and the importance of hair braiding. The collection engages with the discourse of waste and surplus materials showing a conversion of what some might consider disposable to something beautiful that addresses the emotional and cultural relationship I have to respecting materials.

Lisa Keane is a Swedish born and London based mixed media textile designer taking a multidisciplinary approach to design. 
Her practice is situated between slow contemporary textile manipulation and fashion. A constant relationship between repurposing and culture challenged with high-intensity processes within mixed media, embroidery and to-hand traditional techniques are utilized.

Website: l https://www.lisa-keane.com/
Insta: lisa.keane
Linkedin: https://www.linkedin.com/in/lisa-keane-99a88844/